73500 words. That’s how many words I’ve written so far and yet everything I’ve written the past week reflects 100% what Stephen King had written in his book On writing when he described what writing sometimes may look like: shoveling shit from a sitting position… I haven’t read many of his books nor am I yet a big fan but the man described my last week in the best way possible.
It’s not that I don’t know what to write (I have my outline from the Snowflake method), it’s just that a) what I write sounds to me like a five year old child has written it (and if I can’t satisfy myself, how can I expect to satisfy compete strangers?!) and most importantly b) somehow the story I outlined now seems to have huge holes that make me arch my brow as I read the outline. And, to make things worse, now that I’m 70k+ words into the story, I can’t help but feel that my inciting moment has taken too long to appear. Yay… *sarcasm*
I feel bogged down and that I’ve somehow lost something along the way; perhaps the spark, perhaps my focus of the inner thoughts of the character perhaps… I don’t know!
Over the past week I’ve been reading less fiction and more articles from agents. Nearly every one of them simply states the obvious: it’s really really hard to make it in the publishing world. What are the chances that a non-native English speaker can traditionally publish a book, when others have failed? Maybe that’s the reason I feel lost and everything I write seems, well, like shoveling shit from a sitting position.
Published for the third time
It’s a fact: Eternal Haunted Summer has honoured me by accepting my short story titled When Hades Felt to feature in their autumn issue. I expect it to be made public around September 21st or about that time. The magazine’s editor accepted the revisions I made to the story and I got to learn some stuff on how magazine editors pick stories and how they review them.
It’s been a few months since I’ve been trying to get it published and now I’m more convinced than ever that Eternal Haunted Summer is the right place for that story. As you can understand, I’m very excited about it. Especially when the editor’s email of acceptance ended by asking me to submit more of my work to them. Is there really anything better for an aspiring writer / storyteller to spell “job well done” other than reading an acceptance letter / email and a request for more work?
So, now I’m left with just one more short story that is still unpublished, going from editor to editor and that will be the hardest story to place to a market. The reason is that I’m not really sure what kind of story it is, so I don’t know which magazines to pursue. There are dark elements (most of my work has those), there is a fantasy / horror element but there’s also a drama element. I wish I knew how to classify it. Currently, I’m waiting for an answer by a British magazine that is somewhat delayed. I should probably send a follow up email around Tuesday and hope for the best.
I will post links for the stories once they are published and update the ‘publications’ page accordingly then.
Updates
As I had mentioned in a previous post, I was expecting some revisions and corrections from another magazine’s editor. It was about a story that had troubled me a lot when I wrote it, but this magazine seems to be the right place for it.
The editor made several corrections, suggestions and changes. Looking at some of those in retrospect, I’m surprised at how many things I missed and how many more the people at scribophile, that had a go at it, failed to spot. It made me not only wonder at how lenient that magazine’s editor was with my story (every page had at least 2 points marked in red – and I stress the “at least” part) but also how important an editor’s job really is. In one of my rare moments of optimism (I’m not the most optimistic person in the world), I couldn’t help but think that the editor saw something in that story that was worth her time and effort, despite the many mistakes she spotted. I think it takes a very knowledgeable person to be able to do that, even when a story lacks a certain something.
I can tell you one thing for sure: the more I write and the more I submit stuff in magazines, the more respect I give to the editors for the work they do and I tip my hat to them.
So, I resubmitted the story with the corrections and the new paragraphs that (hopefully) answered the many questions the editor had. I’m waiting once again to see if the things I added are to her liking and if she will still be willing to publish it.
The progression of the novel has slowed down a bit but so far I’m almost at 60k words (it was 48k words two weeks ago). I had to work on that short story and I had some family from Italy coming over for a short visit. On top of that, I have no access to the computer since a small short circuit has caused a problem. Hopefully, the problem will have either damaged the ups battery (I hope not) or it will have fried the resistance in the multiple outlet extension cord. Preliminary tests show the latter to be the case but I will know for sure tomorrow.
Hopefully I may be able to announce my third publication by next week. Once again, cross your fingers for me please.
Published yet again??
Hello dear readers!
You may wonder why there are question marks on the title of this post. Here goes.
Shortly after I had finished polishing up the short story titled “The Darkening” (I mentioned it on last week’s post) that will appear on Voluted Tales, I wrote another short story (though longer by far compared to any other short story I had written), borrowing certain elements from my country’s mythology. The story takes place in our current timeline but it features two rather prominent characters from Greek mythology, Hades being one of them, ruler of the Underworld.
This particular story is the only one that I have deleted and re-written more than five times so far and in most cases due to the ending. I never seemed to be satisfied with the way the story ended. After a while, I just gave up (shocking, I know) and decided that I would either get it published as it was or that it would simply never make it and perhaps I could get back to it at a later time when I would self-publish all those short stories that no one wanted. I hoped that as the years would go by, I should be able to spot the mistakes and refine it even further.
Luckily, while searching for a magazine to send some other short stories that haven’t been made public yet, I came across a magazine that in its submission guidelines stated they were interested in stories with ancient gods. You can understand my excitement when I saw it. I thought to myself, if this magazine turned me down as well, then the story was doomed to be for ever rejected, an outcast of sorts. Well, the good news is the editor of the magazine wants to run the story for their autumn issue. The bad news is that it needs polishing up. She offered to send notes and suggestions, provided I was ok with that. Obviously, I replied that I would be more than happy to look over anything she sent. I thought this would be a great chance to see how magazine editors think and point out things that annoy them in a story (the instances where one can learn new things are so many after all!).
The problem is that it’s been almost a week since then and I still haven’t received her notes and suggestions, to the point where I’m getting worried she may had second thoughts about the whole thing. I asked a friend of mine, who is far more experienced in the matter – since he has been published so many times – for any insights on what this delay might mean. So, the plan is to send a follow up email tomorrow and ask about the notes. If she says no to the story, well, no harm done I guess, though I wouldn’t mind having another story published 🙂
In other news, the novel progresses steadily. Word count indicates that I wrote just over 6700 words this week, which is not great but considering the alternative of not being able to write anything at all (I just shuddered at the thought), it’s ok-ish :/ Grand total so far is 48000 words, so I’m a little under 43% of what the final word count for the 1st draft should be.
Hopefully, next week I will have some good news to share with you, namely another upcoming publication. Cross your fingers for me please 🙂
Scene Elements
Ever since I started writing (granted, it’s not that long) I found it easier to break my work down into scenes and work my stories with that in mind. So, today’s topic is SCENES and their ELEMENTS.
1. First of all, any scene should have characters (the driving force behind any decently written story) that readers can identify with. In other words, each reader should be able to find at least one thing in the character’s behaviour that he or she can honestly say ‘that makes sense to me; I would act in the same way.’ If we miss that, then we feel detached from the story and sooner or later we are going to put the book down or at least claim that the story wasn’t nice.
2. A scene also needs to be exciting. How can this be achieved? By having conflict in the scene. Keep in mind that conflict doesn’t mean crisis. They are completely different. An interesting character is a conflicting one and it’s the character’s role (technically, it’s our role as writers/storytellers) to bring the character’s conflict into the scene. If the character is one who values life as sacred and is instead forced to make a choice that will result in the end of another life, then this is conflict. If a character is brought up as an honourable and never act behind the scenes, forcing that character to go against their personal code of conduct to preserve the greater good or the status quo, will result in tension, suspense and ultimately conflict. Which in turn means the scene is interesting.
3. A scene should be clear enough for the reader to know who’s to cheer for and who’s to mourn. It doesn’t matter if later in the story these roles will be switched. All that matters is that the scene will be clear in showing who’s who.
4. It goes without saying, that any scene uses strong sensory details; hearing, taste, sight, touch, smell. Use it all at the right time, in the right amount. The story I’m currently writing (The Darkening) takes place in a world where humans can only live in darkness. Sight is virtually non existent, so all the other senses have to make up for it.
5. There should only be enough back story that will drive the plot forward. This was something that used to plague me when I first started and I think to a certain extent, it’s something that everyone has to deal with as they begin. It’s a more prominent mistake with any of us writing high fantasy, or create new worlds for our stories. The rule ‘avoid infodump’ should always be in our minds with this one.
6. It’s vital to have some kind of foreshadowing going on, if not at every scene, certainly at those that are more vital in showing us things about the characters or the plot. Don’t overdo it though, cause then you end up infodumping and the reader may get bored.
7. Do I need to say anything about author intrusion? I think not. Points 5 and 6 are somewhat related to one another by the blunt intrusions we often as writers/storytellers make. So no author intrusions. Avoid things like ‘and as it’s known, crocodiles are vicious killers’ (sounds, terrible, doesn’t it?)
8. A scene becomes more interesting if we guide the reader through a familiar setting, by showing the things that are unusual. There’s hardly anything strange or unusual in a bedroom but what if the character was to enter such a room and see that the bed cover is creased and messed up at one side? Something happened there and we just showed it to the reader.
9. I had read somewhere that when describing a scene it’s best to show the important aspects of a scene first and then the less important ones. It makes sense but I think this may come down more to how each writer handles that. One thing for sure is that the way we handle this thing has to be consistent.
10. A scene should have turning points for a character in the dramatic action, as well as the character’s emotional development. Have a character that appears to be selfish, do the right thing, after the character has fought with himself inside.
If you know of any other elements for a scene that don’t fit in the above, please comment below.
