Guest post at Lauren’s Bookshelf – about Through Stranger Eyes

A few days ago, I had the opportunity to talk about Through Stranger Eyes, my latest cyberpunk thriller novel, over at Lauren’s Bookshelf. During that guest post, I had the chance to talk about some of the pioneers (as I see them) of modern scifi and cyberpunk, as well as what my take on the genre was while writing Through Stranger Eyes. Here’s a small excerpt from it.

 

A lot of the sci-fi writers of the past, like Asimov, Clarke, Heinlein and all the others, who paved the way for the newer generations, wrote sci-fi with something very specific in mind: the repercussions technology would have to our understanding of certain things. Things like soul and morality, both for human beings as well as the societies we have built. They pushed the boundaries, and in doing so I think they wanted readers to sit down and think about things. The way I see it, in every story they wrote, there was almost always an underlying question they wanted us to answer. And to a certain extent, perhaps even a warning.

When I started writing my latest cyberpunk thriller, Through Stranger Eyes, I wanted people to do the same about things that in my opinion are important.

 

You can read the full article at Lauren’s Bookshelf. Please go ahead and read it.

Thank you, Lauren, for the opportunity.

Published in an upcoming anthology

I’m between migrating from one computer to another. I could write a small horror story of how a certain operating system manufacturer found a way to piss off every user who wants to choose what operating system (OS) they install in their PCs. Believe me, I could. But, thanks to a friend who is by far more knowledgeable than I am, we managed to get around said OS’s locks, and I now have set up my PC with the operating system I wanted it to have in the first place.

But that’s not what this post is about.

About a year ago, I joined reddit. While there, I found and followed a community of writers known as RedditWriters. They all were at various stages in their careers, some with a readership of their own, some just starting out. At some point, one of the writers had an idea: create an anthology with our work, and put it out there. Everyone loved the idea, and almost everyone submitted pieces to the editors. I submitted one of my vignettes. A couple of months ago, the editors informed me that my piece was accepted.

The editor in charge of the project informed us yesterday that the collection will be available on 30 March 2018 from Amazon, as an e-book, as well as from CreateSpace as a hard copy. The e-book will cost £1.99 (about $2.77 at the time of writing this). Obviously the hard copy will cost more. The title will be TL;DR, which stands for Too Long; Didn’t Read, a typical internet acronym, often seen on Reddit and other message boards.

All proceeds from the anthology will be donated to Doctors Without Borders.

If you want to know more about the project and those who made it possible, visit Joe Butler’s site. I will get back to you with download links as soon as I have them.

Finally, if you’re looking for free books (sci-fi, fantasy, or horror), have a look at this giveaway I’m part of.

Sixty writers, veterans and newcomers, have joined forces for this. The giveaway ends on 26 March 2018.

Finally, it happened. Again.

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Through Stranger Eyes is finally printed, and the red pen is anxious to have a go at it. Isn’t there something magical when you transfer the thing of your labours into a physical medium? I mean, when you type it and store it in the cloud or wherever, you know it’s there, it’s accessible, and if anyone ever doubts you wrote a book all you have to do is go online, access your files, and voilà! You can easily say, “Ha! In your face, nameless person who doubted me.”

But you have to admit there’s something so much better when the object of your desire, the reason you locked yourself away for weeks, months, or years and allowed people to think you’ve turned into a deranged hermit, is tangible and in your hands. I mean, it’s been three days since I printed it, and I’m still giddy and excited. Hell, I feel as if I can take on any one and any thing, maybe even tackle another one…

Just kidding. I will not start another story until I’m through with this one.

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So this should keep me occupied for a few days (weeks or months, more likely). As I mentioned in an earlier post, once I fill this bad boy with as much red ink as I can fit on the margins of its pages, I’ll transfer all the changes into the digital copy, then turn on the macro function and sweep away all the nasty adverbs, filter words, etc that I have missed on all previous editing rounds .

My only concern at the moment is that the story came out at 140k words (!!!), which is 20-25k more than what I wanted it to be, and I doubt if I cut every adjective and adverb from the manuscript it would reach my intended word count. The funny thing is that the first draft was 128k words, but I needed to replace some of the scenes with new ones and ultimately had to add one or two extra, and that’s how I ended up with so many words.

Regardless, this ought to be fun!

Character building and setting

I’ve been going over my second novel (provisional title: Through Stranger Eyes) and in particular trying to make sure I have created a fully fledged main character. In doing so, I came across C. S. Lakin‘s post on Live Write Thrive where she suggests we ask our characters twelve questions related to the setting to present and create them in the most realistic way. As she says in the beginning of her post, “When choosing settings for your scenes, you want to think about the kinds of places that will allow the emotions, needs, dreams, and fears of your characters to come out.

In my second novel, the setting is an important element of the story and goes hand in hand with the plot for a reason. In cyberpunk worlds (such as in Through Stranger Eyes), the fall of moral and social values alongside the disproportionate rise of technology that makes life easier for very few, could easily have its roots in the socio-economic structure of today. In that case, the setting can (and in my mind, should) be something not only to set up tone and mood for a story, but to also create awareness in the subtlest way possible.

Of course, no one expects a fiction writer to go that deep into sociology and philosophy just to tell a good story. But we are expected to create well-rounded characters, with their hopes, fears, and memories, and at the same time flesh out worlds for them that could easily be real, regardless of the genre. Hopefully, these questions will help all of you in this pursuit.

Minor update

I have finally managed to get on track with the new WIP (provisional title Through Stranger Eyes) and be as productive as I want to be.For the past couple of days, despite every distraction imaginable, I have managed to produce 2k words solidly. I can’t tell you how happy that makes me feel. Yeah, I know it’s no big deal, but I had started doubting myself and the story I was trying to write. I mean, it took me hours to put 1k words down, when for my previous book (it feels so nice to be able to say “my previous book,” doesn’t it?) I used to churn 1k words in a little over an hour and a half, maybe two, if I was distracted.

The draft (so far about 21k words) is still not as great as it could be, and chances are I’m going to have to revise and rewrite to similar extent as I did with The Darkening (honestly, I hope not), but I’ve come to accept a simple fact; I can not produce a good first draft. That’s fine. First drafts are what the phrase implies, meaning only the first step of something better. It’s like digging a hole in the ground. It’s not pretty when you’re done, but what matters is what you build afterwards. I still don’t have a good feel for the characters (which was the case with The Darkening as well), but I’m getting there. I might also need to take a step back from the tight POV I’m using at the moment (the same as I used for the previous book), probably choose a more traditional POV, one where the main character can have after their dialogue the invisible tag “s/he said.” But I’m not worried so much about that now. The transition, if I do end up making it, will not be as hard as it was for The Darkening. I think I have also figured out which of the first scenes I’ll delete or merge with others, which means the story resonates better with me now, hopefully even more as I keep going. Overall, I’m satisfied, mainly because I feel productive.

I think one of these days, I’m going to have to publicize the board I’ve been using on Pinterest with images related to cyberpunk and the setting as I imagine it. Are you using any such boards or images when writing about another world (those of you who write fantasy or sci-fi)? Perhaps Google street view when you’re writing about places in other countries? I have found this method to be very helpful.