Posted on by Chris Sarantopoulos

Call for betas for a cyberpunk novel

I believe I have done all the edits I could think of on Through Stranger Eyes, my current WIP. It’s time for others to have a look at it and identify all the mistakes I have failed to spot. No doubt they’re plenty and will keep me busy for a while. But for me to improve the manuscript, I need you.

So, I’m asking for beta readers willing to take a plunge into my dark futuristic world, into the fears and hopes of Dr Rick Stensladnt (my main character). To try to figure out with him why his life took such a bad turn all of the sudden, who’s behind everything.

Through Stranger Eyes is a 132k word cyberpunk mystery/suspense about Dr Rick Stenslandt who, despite the fact he augments people with advanced cybernetic implants (as is the norm in his world), he refuses to have even the simplest implant in him. Though a purist at heart, he will have to stray from his convictions when an accident deprives him of his sight, and is forced to have an ocular implant. Things take a strange turn for him after the operation, as Rick begins remembering the deaths of influential people, whom he has never met before, deaths that have taken place years earlier. Driven to find out what is happening to him and why, he will risk losing everything that matter in his life; his social status, his sanity, his family, his life.

You may ask, what is Cyberpunk?

“Trying to define Cyberpunk is a difficult task. In short, however, Cyberpunk refers to both a culture and a genre.

Cyberpunk is a sub-genre of science fiction that features advanced science and technology in an urban, dystopian future. On one side you have powerful mega-corporations and private security forces, and on the other you have the dark and gritty underworld of illegal trade, gangs, drugs, and vice. In between all of this is politics, corruption, and social upheaval.

High tech. Low life.” (Definition taken from https://www.neondystopia.com/what-is-cyberpunk/).

Though not a prerequisite, often noir style of narration is employed (again, not all the times). I have tried using this kind of narrative.

If this still doesn’t shine any light (understandable, since the world is gritty and dark), consider the film Blade Runner as the epitome of what a cyberpunk world might look like. That’s one side of the cyberpunk spectrum. The Matrix is also cyberpunk, though with a lot of other subgenres thrown in. If you haven’t watched either of these films, and you’re into anime, then Ghost in the Shell and Akira are the first ones that come to mind (if you know more, please let me know. I’m not into anime, but I really like cyberpunk). In terms of books, William Gibson’s, Neuromancer, and my favourite, Richard K. Morgan’s Takeshi Kovacs novels, particularly Altered Carbon. If that also doesn’t help, have a look at my pinterest board, designed specifically for this book.

So if any of you have read or watched any of the above and liked them, you’ll feel right at home (hopefully). If not, but you are willing to read an early work (or as early as any work can be after more than a year of editing and fine tuning), if you don’t mind answering long questionnaires about the book, if you are the kind of reader who understands that the only way to help a writer and his/her work is by being brutally honest and point out as many mistakes as you find (and the occasional praise for the things you liked), then please let me know. And if you’re concerned whether or not you’ll hand it back in time, I usually give two months minimum for the readers, because, well, life happens for all of us. After all, I’m not the speediest reader and I’m known to have taken a long time to return a manuscript (hi Yoann!). So, if you want to help, don’t worry about time. We can always extend the time frame.

A few people – people whose opinion I trust, and whose help I value – have already offered to help me. I’m eternally grateful to each and every one of them. Some aren’t writers, just readers. Others are writers (more skilful than I am) who write in different genres, yet their comments is almost always accurate. Some have a keen eye for details and are more editing-oriented, others see the whole picture and comment based on that. Whatever your skill level, whether you write or not, if you want to help me, please leave a comment or let me know in any other way (use email, twitter, facebook, pinterest etc). Those of you who have already agreed obviously don’t have to do it again, but if I’ve forgotten to contact you personally (I apologise, but lots of things are happening, some health-related issues with close family members), please message me and let me know of your availability.

Please be advised, that Through Stranger Eyes has some adult themes and imagery, as well as mild foul language (in other words, it conforms to most genre standards). Just a heads up 🙂

Thank you all very much!

Posted on by Chris Sarantopoulos

Finally, it happened. Again.

2017-03-03-16-29-37

Through Stranger Eyes is finally printed, and the red pen is anxious to have a go at it. Isn’t there something magical when you transfer the thing of your labours into a physical medium? I mean, when you type it and store it in the cloud or wherever, you know it’s there, it’s accessible, and if anyone ever doubts you wrote a book all you have to do is go online, access your files, and voilà! You can easily say, “Ha! In your face, nameless person who doubted me.”

But you have to admit there’s something so much better when the object of your desire, the reason you locked yourself away for weeks, months, or years and allowed people to think you’ve turned into a deranged hermit, is tangible and in your hands. I mean, it’s been three days since I printed it, and I’m still giddy and excited. Hell, I feel as if I can take on any one and any thing, maybe even tackle another one…

Just kidding. I will not start another story until I’m through with this one.

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So this should keep me occupied for a few days (weeks or months, more likely). As I mentioned in an earlier post, once I fill this bad boy with as much red ink as I can fit on the margins of its pages, I’ll transfer all the changes into the digital copy, then turn on the macro function and sweep away all the nasty adverbs, filter words, etc that I have missed on all previous editing rounds .

My only concern at the moment is that the story came out at 140k words (!!!), which is 20-25k more than what I wanted it to be, and I doubt if I cut every adjective and adverb from the manuscript it would reach my intended word count. The funny thing is that the first draft was 128k words, but I needed to replace some of the scenes with new ones and ultimately had to add one or two extra, and that’s how I ended up with so many words.

Regardless, this ought to be fun!

Posted on by Chris Sarantopoulos · 3 Comments

My next editing moves

Through Stranger Eyes has reached the point in the revision/editing process where only minor details remain, as you can see from the sample image below.

sample-view1-compressed

If you thought to yourselves that it’s way too cluttered for me to be calling these as “minor details,” you should have seen it after I finished drafting it. So what’s minor details? By minor details, I mean finalising character names (the green bits you see scattered all over the place) and/or some names for places, and of course work on continuity (the comment bubbles at the left side). Some of those are question I ask myself about the world or what my main character sees or has seen so far.

What? Don’t tell me you don’t debate with yourselves about these things. Little things, like, “should he see X detail now or five pages later when the character enters Y place?” or “should she have this dialogue line here, or should I have used it in the previous chapter?” I’m sure you do it too. You are, right? I’m not the only one who does that, yes?

*crickets*

Anyway, once that’s done, I’m thinking of editing in a slightly different way than what I did for The Darkening. This time, I’ll print it out first (instead of doing it at the very end), take my trusty red pen, probably delete or change somewhere between 1/3 and 1/2 of the whole thing, then transfer the edits to the digital copy. Once that’s done, I’ll look for those sneaky filter words with my trusty macros, and use my favourite online tool for sentence lengths.

For sentence lengths (but not just that) I’m using Slick Write and I’m loving the flow graph they provide (found at the left sidebar, after you paste part of your manuscript and press the Check button), particularly the Sentence Length Flow. If the graph isn’t a perfect (or as near to a perfect to my satisfaction) wavy pattern (yeah, fine, sinusoidal graph, for you with a mathematics/physics background) then it’s time to tweak the problematic sentences. Once that’s done, it’s off to betas, around late spring by my estimates. Hopefully.

Posted on by Chris Sarantopoulos

Tools for writers

A while back, Publication Coach posted a list of some no-cost tools for us writers, so I figured I shared it with you in case you didn’t read it. You can find the original article here.

The suggestions range from time management apps (and most of us have suffer in that area) to tech tools, but also editing tools to make your life easier and improve your writing. I’ve tried some of the suggested tools myself in the past and found them quite interesting and helpful.

In addition, you can also try Grammarly and ProWritingAid, though the latter works best if you use the paid version.

Posted on by Chris Sarantopoulos

Hello once again

I’m back. I hope you all had a wonderful summer, and that you recharged your inner batteries. I know I’m late on posting (it’s been two months since my last post) but a lot of things have happened since then and it was hard to keep up with everything.

One of them was my father’s accident. He slipped and broke his leg almost a month and a half ago, so I had to take over most of the things he was dealing with. That meant hardly any time left for me. Luckily, he narrowly escaped surgery to reset the bone, despite the fact that he completely disregarded his doctors’ orders (and still does). Thanks to his surprisingly speedy mending process, and taking into account his age, what appeared to be a long rehabilitation period (doctors initially estimated it would take him around three months before they removed the cast), will most probably barely exceed a two-month period, if his bone continues to mend as fast as it does.

So, the one month I was supposed to use to polish my novel went out the window. BUT!! I did manage to finish editing most of it. In fact, I’m working on a printed version of it, where I’ll do the last edits before I sent it to my beta readers. See the photo? That’s it!

The Darkening

I got to tell you, it felt good holding it in my hands like that. Funny, it’s not even the final version, but it sure is nice to see it and hold it, you know? It makes it more real, more tangible. That’s something the digital medium will never achieve. Not for me, at least. It’s a strange feeling of mixed awe, pride, and fear, probably because I know there’s only one more step before someone else gets to read it, with the explicit instruction to find and point out even the slightest mistake. It’s daunting, but exciting too, because after their input, I will have a better manuscript in my hands. Thanks to my beta readers, I will have the chance to improve my craft. I know for a fact there’s a lot of space for improvement.

Funny fact: I’ve been editing, revising, and rewriting it for the past nine months (I actually rewrote the book twice; once for a better Point of View, the other to improve the story). 2/3 down the road of editing it with my trusty red pen, and I realise there’s more red ink on the pages than black. Makes me wonder, what on earth have I been editing all this time?!