I hope you all had a great time with your loved ones, and that you found the time to recharge your batteries. Hopefully, 2017 will bring you more finished manuscripts, more published material, perhaps an agent (if you’re after getting published traditionally), and even more readers.
Speaking of getting published, I think it’s time to end this somewhat long-ish string of reblogged posts I started, that dealt with the process of getting published, the different paths one can take to see his/her work in readers’ hands, and of course a tiny portion regarding legal aspects. I may get back to some of these at a later time, but for the time being I think that’s it.
Today’s post deals with what to look out for when dealing with clauses in a publishing contract that deal with how a publisher edits your manuscript. On her blog, Victoria Strauss, writer and co-founder of Writer Beware, lists a few clauses she has encountered in real contracts, that should alert every writer that something’s not right. You can also find the same article on Writer Beware‘s blog.
Please keep in mind, that publishers are not trying to set a trap for the writer. They are not malevolent beings, lurking in the shadows, cackling and rubbing their hands every time they receive a manuscript. That’s not why I think such articles are necessary. The reason I’m posting this is because once we choose to publish our work, we put our artistic and creative hats away, and put our business hats on. It’s always safe, for both sides, to have a contract upon which they’ll build a healthy business relationship. Just as the publisher doesn’t know you or how determined you are to see this business partnership flourish and wants to be safe, you don’t know the publisher and, as a result, should be safe. Good contracts mean good business deals.
Hope this helps.