Posted on by Chris Sarantopoulos · 4 Comments

Back at it again

My phone rang this morning and notified me about the upcoming mount Everest I had to start climbing first thing tomorrow morning. It’s been 37 days since the last time I laid eyes on the first draft of my novel’s manuscript and the time has come for me to start editing and revising.

I’m gonna let that sink in for a while. Editing and revising.

The manuscript is 149k words long. I have to trim it down to 110 – 120k, no matter what, and make it more presentable. I also have to rewrite the first 10 or so chapters and condense them to 2 or maybe 3. Then carry on with the actual nit-picking. To be honest, I’m not looking forward to it. Not because I don’t like the book, but because I’m scared.

I’m scared because I think I won’t like anything from it. I’m scared because I’ve never done anything in that scale. Editing short stories somehow seem different now to me (strange, I know; after all it’s the same principle). Most of all I’m scared because I don’t know if my editing skills (which in turn mean my writing skills) are up to the task. In some ways I feel I’m back to square one where I had no work published and I was  uncertain of my ability to produce publishable material. Three publications in so far (fingers crossed to place the rest ones somewhere) and I still feel like a speck of sand that somehow has to reach the top of a mountain the size of Everest.

In those 37 days I wrote 3 short stories and finished translating one of them for a family member who doesn’t speak English, making this past November my most productive month so far. My aim with these stories is to place them all either in semi-pro or professional markets. I probably shouldn’t have high hopes for pro markets as they seem to prefer writers whose writing has something that I still lack. One thing is they have more experience in the craft than me. But I’ll try. If I do manage to get published in any of them (semi-pro or pro) then it will be a TREMENDOUS confidence boost that will reflect in the way I perceive my novel’s worth and my skill as a writer and storyteller. (The stories are now up on Scribophile, so if any of you is a member there and you’re interested in their genres, have a look at them)

Is it strange that I feel so stressed right now? Those of you who made it and traditionally published your books (fiction or non-fiction) did you feel like that as well? Am I experiencing a twisted version of what I should be feeling about the whole process? Or is it that I’m pushing myself too much, in order to prove to myself that I can do it?

Posted on by Chris Sarantopoulos

Inspirational prompt

I hope you liked last week’s inspirational post. As I was looking for another one to post today, I came across this one

When I saw it, something clicked in my head. After working a bit with the 7 point story system I ended up with two stories, one of which draws many elements from my country’s mythology. Turns out that system helps me a lot to get my head around the main points of a plot. I only took notes for that one but I completed the first draft of the second story and although at first I thought there was something missing, the more I tweaked, edited and revised the more I came to like it.  So, in a month’s time since I finished the first draft of The Darkening, I have managed to finish 3 (!) short stories.  Now I need to have it critiqued somewhere. If only I could find a critique partner…

I hope the image proves as much help for you as it did for me. Let me know if it sparkled something interesting.

Posted on by Chris Sarantopoulos

Inspirational prompts

I’d like to start a new category, one that will (hopefully) inspire you to write more or at least evoke something inside.

I’m very much a visual person, in that I’ll see an image and a story will pop into my mind. Well, maybe not a whole story, more like a scene but the point is that things will start stirring in my head. I know that for others this happens when they read something or when they put together certain words or when they hear something.

So I want to start this new category called “Inspirational Prompts” where I’ll be posting a picture, a string of words, a full sentence etc, that hopefully will motivate you into writing something. It could be a completely new story or it could be a new take on a scene for something you’ve already written and want to reword.

Write down your stories or scenes that spring from it. If this idea of mine has helped you, write a comment and let me know. I’ll share your enthusiasm. Don’t send me your stories; they are for you, to help you if you’re in need of it or to simply increase your daily word quota. This is me trying to help the community by giving something back. Feel free to reblog whatever you think others may find beneficial.

I should also point out that since I write mainly horror, fantasy (dark fantasy mainly) and sci-fi, a good deal of the images I’ll be posting will be related to that. Of course I’ll have others, non-fantasy related.

So, this is the first image.

(Where possible, I will mention where I found each image from and who owns it. In this case, the pinterest image simply says Found in twitter.com)

What thoughts go through his mind? Why is he in the background? What about her? What could they say to each other if the image showed them in the exact same place but in a futuristic setting?

Let your imagination run wild!

Oh, yes, this is from my pinterest page, I started solely for these blog posts. If you have any more images to share with me or wish to give me a quick tour of how pinterest works, please do so 🙂

Posted on by Chris Sarantopoulos · 1 Comment

7 point story system

Today’s post deals with another way to structure a story and it’s called 7 Point Story System. According to writer Dan Wells, who made a presentation of it a while back, this particular structure system can be applied to almost any story. He doesn’t take credit for it (nor do I), instead he said he found this structure from the Star Trek RPG (trekkie fans, rejoice!). Without any further ado, here it is:

Hook
Plot Turn 1
Pinch 1
Midpoint
Pinch 2
Plot Turn 2
Resolution

The interesting thing about the above structure is that it works backwards (you’ll see that when you watch the video). For this structure to work, it is essential to know how your story or character arc ends, in other words you need to have a Resolution first. I should stress here that the Resolution isn’t the end of your book but rather the tidying up of your arcs (character and story) and in the case of a novel it may well span more than one chapters.

Once you have that, you then move to the Hook of the story. Mr Wells says that what the Hook and the Resolution show in terms of the story or the character are usually directly opposite to one another. For this example he uses the first Harry Potter book and compares Harry’s initial state (Hook) with what Harry has become (Resolution).

Once these two points are established, the writer then identifies the Midpoint. In my mind, the Midpoint acts as a transition between the character of a story being reactive (from Hook up to Midpoint), then changing to active (from Midpoint to Resolution). When I first saw that, I thought the Midpoint and the inciting moment are related but once I started working with this system a bit, I realised I was wrong. The Midpoint doesn’t also need to be in the middle of the story. The Midpoint is that one thing that connects to your Resolution and gives meaning to the story. It is the one thing your protagonist finds out about something and propels him/her into doing something about it, using everything he/she has picked up along the way (from Hook to Midpoint).

Once that’s done, Plot Turn 1 needs to be addressed. This is a another transition, one that exists between the beginning to Midpoint. This is the part where you have to introduce the conflict. It’s also the part where something happens that changes things around your main character. In the two short stories I’m writing at the moment, this is where my protagonist realises how important a waitress is for him (for the first story) and for second one it’s where the main character gets debriefed by his superiors and thus telling us what has happened.

Following that, Plot Turn 2 needs your attention. This is the point where everything leads to the Resolution. If your story is about your character having to do something, then this is the point where he/she will decide to do it. It’s what launches things towards the Resolution. In Poe’s short story Tell-Tale Heart I recently read, this is the point where the main character still hears his victim’s heart beating. That will propel him to the Resolution. If your Resolution is tragic and negative for the protagonist (as is the case with one of my short stories), this is the point that enables that tragic ending.

You then have to deal with the two Pinches. Pinch 1 is something that forces the character or the situation into action. It’s what leads to the Midpoint. Sometimes a villain is introduced or a problem inflicts the character that will push him/her forward. In the first Harry Potter book, that something is the appearance of the troll and that there’s no one around to deal with it, so the kids have to gain enough confidence in their abilities to deal with it.

Pinch 2 is all about applying even more pressure to the character. Either the problem will look impossible to solve or a supporting character will die or the character will realise he/she is left completely alone. Whatever you make it to be, it has to up the stakes significantly in order for your Resolution to have the maximum impact on the reader. It doesn’t matter if your story is going to be a sad one or a happy one (I prefer the first), as long as the stakes have gone so high that the Resolution is satisfying.

Naturally, there’s a lot more to a story than just this outline, things like well-developed characters, good environment set up, using all the senses for the reader to be fully immersed in your story and of course subplots (if you apply the system to longer works).

I have only used it twice so far, both times for short stories, one of which I’m in the process of writing and appears very difficult even with this system. But I’ll make it work one way or another. For my longer works I prefer to work with the snowflake method BUT the 7 point system can help tremendously in identifying the key elements of a story and space them properly before using a more detailed structure system. I find it very handy and very helpful in arranging my thoughts in the right order and I like having a guideline when I write.

Next week I’ll either start giving writing prompts or, if I’m still stuck with my second short story, beg for your help. I’m really stuck 🙁

Posted on by Chris Sarantopoulos · 2 Comments

Transition from novel writing to short stories

This past week I decided to start working on a new short story. I hadn’t written one in a long time, since I was occupied solely with my novel The Darkening. If I remember correctly, the last short story I wrote was right before I started working on the novel, so it was late May or first couple of days of June; a bit less than 6 months. I figured I’d be slightly out of shape for a short story, since there’s more space to explain things in a novel, but boy was I out of shape!

Not only did I start adding more and more details about my main character’s life, not only did I expand on his thoughts and feelings but I almost ended up writing a completely different story than the simple idea I had in mind. Even though I used the 7 point story system and the story made sense as I outlined it, I reached a critical point when I started writing a scene where things couldn’t get contained in 500 words the scene was supposed to have. I reached 5000 words in no time and I still wasn’t anywhere near resolving the story. If anything, I had opened two more arcs! 😛 If I didn’t stop, what started as a short story would have ended up as a novella and that was not what I wanted. So I had to delete more than half, rewrite about 60%, make a note to cut down on a dialogue that stretched too long, cut down on emotions and thoughts shared by the main character and figure out all sorts of ways to get my point through indirectly and in ways that conveyed more than one thing. Basically, I tried to make use of the rule “less is more.”

Around the same time, I read my first Alan Poe’s work, a short story called Tell-Tale Heart. In that story, Poe uses no more than 5-6 pages to convey a full story with an arc, full characterisation and so many more that I failed to notice, (since I’m a newbie). When I finished it I was in awe. Somehow I had to find a way to convey my story (which at the time was apparent it was going to end up being a novella, and not a short story) in a such a way that it would make sense.

My current draft (the new, rewritten one) sits at 3160 words, which is good. My only concern is now whether or not the story is coherent and if it flows smoothly without too many holes. Once that’s done, I’ll start editing and then see what else needs to be done.

This is the first time I used the 7 point story system and I had no experience with it. It makes sense and I’d like to work with it again in the future for short stories until I get to master it. Perhaps next week I’ll talk about the system a bit more. I’m also thinking of adding a new section with prompts using images. Would you like something like that?