Posted on by Chris Sarantopoulos · 6 Comments

The art of writing, is editing

For the past few weeks I’ve been editing my novel and three short stories. Though in the past I’ve always edited my short stories, only now that the stakes are high enough do I see how important, I mean REALLY important, editing is. In my mind there’s no doubt about it: writing is all about editing.

My editing process is somewhat… strange. Perhaps it’s because English isn’t my native language. Perhaps it’s just because my first drafts are in worst shape than the ones the well-known writers produce (yeah, I know I shouldn’t compare myself with them, but I can’t help it. I want to be traditionally published and to make it happen, I feel I have to be better than them. This is what I meant earlier when I said “the stakes are high”).

The first thing I do, is to restructure each sentence and each paragraph. I’m never satisfied with the way I write my sentences, even after several edits (language barrier and related linguistic insecurities apply here).

Once that’s done, I activate my macros. Yes, I use macros for specific mistakes I know I make, and yes, they’re more than one. I have one for filter words (which somehow still seem to make their way to my drafts) and another one for useless words (like “very”, “that”, “just”, “even”, “There was”, “there was”, “there were”, “There were”, “actually”, “practically”, “literally”, “suddenly”, “really”, “again”, “Again”).

The third step deals with how I use the word “as” in a sentence. That’s a tricky one to deal with. I often use it in a sentence when I shouldn’t. The following example is from http://blog.janicehardy.com/2010/04/re-write-wednesday-dont-tell-me-why.html (Bob ran for the cabin as the zombie swung at his head.) In this example the AS implies that both actions happen at the same time. The problem is that’s not the case. The second part of the sentence is the reason why the first part happens. The zombie attacks Bob and because of that, Bob runs away. Using AS here is wrong (though “wrong” sounds so strange when it comes to a creative art like writing, no?). Still, I not only overuse that word, I flood my MS with it. Hence, the need for yet another macro to evaluate each occurrence of that word.

The last editing step (for the first round of edits, mind you) is the worst of all; my incomplete macro for adverbs. I consider it an incomplete macro for two reasons: 1. some adverbs don’t have the -ly ending (https://www.englishclub.com/vocabulary/adverbs-manner.htm), 2. That last step should include adjectives as well, but given the nature of the words (they don’t have a special ending), I can’t include them in a macro. Which means I have to go over the entire passage and highlight every single word that’s an adjective. Why is that bad? I’m a perfectionist when it comes to doing something that I love. What’s wrong with that, you ask? Humans make mistakes! I often miss them because I either fail to identify them (oh, language barrier, if only you had a face I could punch…) or because my brain has turned into mush and I fail to notice them.

Once these steps are done, and I’m ok-ish with the results (I tried using the word “satisfied” instead of “ok-ish”, but alas I couldn’t! Not even for this post!), then I turn to beta readers and critiquers (if such a word as critiquers exists). And then a new round of editing starts, which includes the above but also their suggestions. Grand total of edits? As I mentioned in a previous post, between 9-12 up to this point.

What happens after that to my MS? Well, then and only then can I say it’s no longer in its first draft status.
Is it ready, you ask? A few weeks ago I would have said yes. But these past few weeks I’ve been reading Self-Editing For Fiction Writers by Renni Browne and Dave King (http://www.bookdepository.com/Self-Editing-for-Fiction-Writers-Second-Edition-Renni-Browne/9780060545697  or if you prefer Amazon,  http://www.amazon.com/Self-Editing-Fiction-Writers-Second-Yourself/dp/0060545690/ref=sr_1_1?ie=UTF8&qid=1421593167&sr=8-1&keywords=Self-Editing+For+Fiction+Writers

Now I cry every time I finish the steps I mentioned earlier, because I realise there’s SOOOO much more that I have missed.

I was about to send my cyberpunk short story out to a well-respected, VERY well-paying, professional magazine. Who was it that said that manuscripts are never perfect but simply abandoned, meaning the writer refuses to work on it any more and considers it ready for publication? Yeah, I’m not ready for that yet.

Back for another round of editing. Yay!

P.S. See how I knew I’d fail point #1 from this post? Will there ever be a time I won’t have to compare myself to those better than me?!

Posted on by Chris Sarantopoulos · 4 Comments

Back at it again

My phone rang this morning and notified me about the upcoming mount Everest I had to start climbing first thing tomorrow morning. It’s been 37 days since the last time I laid eyes on the first draft of my novel’s manuscript and the time has come for me to start editing and revising.

I’m gonna let that sink in for a while. Editing and revising.

The manuscript is 149k words long. I have to trim it down to 110 – 120k, no matter what, and make it more presentable. I also have to rewrite the first 10 or so chapters and condense them to 2 or maybe 3. Then carry on with the actual nit-picking. To be honest, I’m not looking forward to it. Not because I don’t like the book, but because I’m scared.

I’m scared because I think I won’t like anything from it. I’m scared because I’ve never done anything in that scale. Editing short stories somehow seem different now to me (strange, I know; after all it’s the same principle). Most of all I’m scared because I don’t know if my editing skills (which in turn mean my writing skills) are up to the task. In some ways I feel I’m back to square one where I had no work published and I was  uncertain of my ability to produce publishable material. Three publications in so far (fingers crossed to place the rest ones somewhere) and I still feel like a speck of sand that somehow has to reach the top of a mountain the size of Everest.

In those 37 days I wrote 3 short stories and finished translating one of them for a family member who doesn’t speak English, making this past November my most productive month so far. My aim with these stories is to place them all either in semi-pro or professional markets. I probably shouldn’t have high hopes for pro markets as they seem to prefer writers whose writing has something that I still lack. One thing is they have more experience in the craft than me. But I’ll try. If I do manage to get published in any of them (semi-pro or pro) then it will be a TREMENDOUS confidence boost that will reflect in the way I perceive my novel’s worth and my skill as a writer and storyteller. (The stories are now up on Scribophile, so if any of you is a member there and you’re interested in their genres, have a look at them)

Is it strange that I feel so stressed right now? Those of you who made it and traditionally published your books (fiction or non-fiction) did you feel like that as well? Am I experiencing a twisted version of what I should be feeling about the whole process? Or is it that I’m pushing myself too much, in order to prove to myself that I can do it?

Posted on by Chris Sarantopoulos

Inspirational prompt

I hope you liked last week’s inspirational post. As I was looking for another one to post today, I came across this one

When I saw it, something clicked in my head. After working a bit with the 7 point story system I ended up with two stories, one of which draws many elements from my country’s mythology. Turns out that system helps me a lot to get my head around the main points of a plot. I only took notes for that one but I completed the first draft of the second story and although at first I thought there was something missing, the more I tweaked, edited and revised the more I came to like it.  So, in a month’s time since I finished the first draft of The Darkening, I have managed to finish 3 (!) short stories.  Now I need to have it critiqued somewhere. If only I could find a critique partner…

I hope the image proves as much help for you as it did for me. Let me know if it sparkled something interesting.

Posted on by Chris Sarantopoulos · 2 Comments

Transition from novel writing to short stories

This past week I decided to start working on a new short story. I hadn’t written one in a long time, since I was occupied solely with my novel The Darkening. If I remember correctly, the last short story I wrote was right before I started working on the novel, so it was late May or first couple of days of June; a bit less than 6 months. I figured I’d be slightly out of shape for a short story, since there’s more space to explain things in a novel, but boy was I out of shape!

Not only did I start adding more and more details about my main character’s life, not only did I expand on his thoughts and feelings but I almost ended up writing a completely different story than the simple idea I had in mind. Even though I used the 7 point story system and the story made sense as I outlined it, I reached a critical point when I started writing a scene where things couldn’t get contained in 500 words the scene was supposed to have. I reached 5000 words in no time and I still wasn’t anywhere near resolving the story. If anything, I had opened two more arcs! 😛 If I didn’t stop, what started as a short story would have ended up as a novella and that was not what I wanted. So I had to delete more than half, rewrite about 60%, make a note to cut down on a dialogue that stretched too long, cut down on emotions and thoughts shared by the main character and figure out all sorts of ways to get my point through indirectly and in ways that conveyed more than one thing. Basically, I tried to make use of the rule “less is more.”

Around the same time, I read my first Alan Poe’s work, a short story called Tell-Tale Heart. In that story, Poe uses no more than 5-6 pages to convey a full story with an arc, full characterisation and so many more that I failed to notice, (since I’m a newbie). When I finished it I was in awe. Somehow I had to find a way to convey my story (which at the time was apparent it was going to end up being a novella, and not a short story) in a such a way that it would make sense.

My current draft (the new, rewritten one) sits at 3160 words, which is good. My only concern is now whether or not the story is coherent and if it flows smoothly without too many holes. Once that’s done, I’ll start editing and then see what else needs to be done.

This is the first time I used the 7 point story system and I had no experience with it. It makes sense and I’d like to work with it again in the future for short stories until I get to master it. Perhaps next week I’ll talk about the system a bit more. I’m also thinking of adding a new section with prompts using images. Would you like something like that?

Posted on by Chris Sarantopoulos · 3 Comments

How to blow some steam off

Ever since I said to myself “you’re about to finish the draft, Chris” the process has slowed to a near stop. Well, not really to a stop but words come to me a lot harder and I fail to meet my daily writing quota. Which, for a near-perfectionist on selective issues (yes, I know it sounds weird but I’m not a perfectionist in everything in my life) like me, it’s annoying. Mind you, I’m not as much a perfectionist as Patrick Rothfuss is, so no, I don’t go as far as making 80 drafts for one story (11 is the highest I’ve ever done for a short story and my average seems to be around 8-9). It reaches the point where I feel guilty for not meeting my daily word limit, which in turn makes things worse ’cause I push myself harder and that only leads to even fewer words. So, I thought, it must be the fact that too much pressure has accumulated inside. Which isn’t productive.

So, I decided to try (and I stress the word try because it won’t be easy and chances are I’ll fail at it miserably) to do as many of the following things as possible.

1. I will try to stop being so caught up into how much better other people’s work is than mine.

Ever since I started I always, ALWAYS compared my work to professional writers’ work. Yes, it’s good to have their skill and their work as a guide but perhaps a perfectionist in writing (like me) goes beyond that, thus making writing a living hell for him/her.

2. I will try to share my work with more people in my old critique group over at Scribophile or get me a beta reader (people willing to help, please comment bellow, thank you 🙂 )

I haven’t uploaded anything or written anything new since June, which is when I wrote the first line of draft for the novel I’m working on. I’ve put on hold all other short stories I had in my mind and dedicated myself to finishing the novel. It paid off, since I’m about to finish BUT at the expense of getting a pat on the back by getting a positive critique or comment about my work every now and then. All I had to go with was my inner critic and, being a perfectionist when it comes to writing, that critic may be a little bit too harsh. Probably. Not sure yet.

3. I must try to get in touch with “free writing” by using creativity prompts, usually visual stimuli like fantasy/scifi/horror images (in my case that’s what I like the most).

This used to be an exercise for me, before I started working on The Darkening. To help me write on a daily basis, I usually scoured tumblr and deviantart hoping to find an image that would stir something in me (btw, I love the word “stir”. I should make a mental note to pay attention on the number of times I have used it in my novel). Then I would sit down and write a small story, usually no bigger than 1000 words. I used to love doing that but it’s been ages since the last time I did it.

4. I must try not to worry about me having gone way over my original word limit for my novel.

There’s very little I can do about this but I have to somehow convince myself that when I start revising The Darkening, I will be able to cut the story down between 100k – 105k words. Right now I’ve reached 130k and I’m still not done. 5 more scenes… God help me, if I make it and an agent asks me to trim it by 10%-20%. I’ll probably cry if I see such a request or just throw my pc out of the window.

5. I must try not to think of the pressure the unavoidable rejections will put on me, when I’ll be querying agents.

I don’t think I have much to say about this. It’s just something I have to learn to live with. All the rejections in the world when it comes to submitting short stories are probably not enough to toughen me up when agent hunting comes. *Chris gulped nervously and made a horrified face.*

Have you got any other ideas about the issue? Some miracle technique that allows you to blow some steam off when you need it? If, so please let the rest of us know and comment below.