The past 10 days or so

The past ten days or so have been a nightmare, with regards to writing.

Remember my post from a few weeks back when I said I had to delete a plot arc that stretched for 25 or so chapters? I thought once I rewrote these 25 chapters (keep in mind please that my editing process involves rewriting the draft in the first place, so that would be rewrite #2), every piece of the puzzle (for the sake of argument let’s call the puzzle, STORY) would fall into place. And it did. Up to a certain point.

The particular arc I had to remove, however, extended like a ripple in a calm pond. It occurred to me about ten nights ago (once again, just as I was about to fall asleep) that since that arc was out of the way, a certain character’s importance lost its value. Said character was supposed to be the big bad guy (in the original draft that evil character fooled the MC, and lead him right into the wolves’ den). Allow me to clarify something here: the adversary in my story was never that person. The enemy was my main character’s attitude and perception (spawned partly but not limited to his madness – another reason I had to shift the voice and style to more “literary” with more inner thoughts), and the environment which kills humans (the Darkening is a post apocalyptic story, in case you forgot). So the big bad guy was originally there to take my main character to the last location the story would unfold, and all the unresolved plot arcs would come to an end. He served shall we say, as a bridge. Lo and behold, said bridge was also part of the plot arc I wanted to remove. Which made the big bad guy’s existence rather unimportant.

In my attempt to guide my characters from one location to another, I had come up with a weak solution (don’t worry, I paid for it), instead of choosing the most obvious option, though not necessarily the one the MC wanted to take. It was there in front of me the whole time, and all I did was run away from it! DOH!

But I did mention of ripple effects, yes? And that is none other than the big bad guy’s presence. He is no longer needed. He no longer serves as a bridge to take the MC from location A to location B, he no longer deceives the MC of his role. Now all he has to do is just be at location B and be the bad guy, who has his reasons for being the bad guy (if he didn’t, he’d be a very flat character, and we don’t want that, do we?).

So the question I’ve been trying to answer is whether or not I should delete him altogether and how am I going to change the rest of the story. Can the bad guy (who, as I said is NOT the main adversary) have a reason to exist in a story, where he’s introduced in the third act, with such a small role to play, yes or no? To remove him completely would probably mean I would have to change the entire story and plot, which means delete the whole thing. At least that’s what I think. For the past ten days I’ve been trying to come up with patches that would fill in the plot holes the deletion of that one minor plot arc created.

I won’t lie to you, I was on the verge of mental breakdown. I even thought about giving up completely. Add this to a series of rejections for some of my short stories that knocked on my door (or rather came through email) and I certainly did not want to see, and you can understand why I doubted my ability to write.  Even when I step back from the story I still can’t see how it will work in the long run. I don’t want to have a story full of plot holes.

Despite all this, I think (and I stress the word think) I managed to patch things up. The problem is I won’t know until I finish everything and give it to someone else more experienced than me to read it. If I had a kingdom, I’d shout “my kingdom for an affordable developmental editor!” Preferably one that offers free patience lessons along with the feedback. Alas, I don’t.

Dreaded point

I have reached the point I dreaded the most. Despite my planning and all the outlining I did a year ago when I started drafting the Darkening, I’ve come to the conclusion that I have to delete part of the plot. I was just about to finish editing chapter 25 (past the midpoint of the book) when I realised that a part of the plot was weak, irrelevant and as such it had to go. Now I have to go back and re-revise and re-rewrite 25 chapters (I’ve been rewriting and revising for the past 4 months, so…), and change some of the causes and their effects that make up the plot, so the project makes sense again. The funny thing is, chapter 25 was supposed to be the place where that particular plot arc would come to an end. What was that you said? Better late than sorry? Well, it couldn’t get any later than that! Actually, it could, but I’d rather not think about it. Remember last week when I said I hoped I’d have the MS ready for the betas by the end of summer or early autumn at the latest? Yeeeeaah…. no.

Anyway, it’s Easter Sunday for us Greek Orthodox, which as far as festive days go, it’s the biggest and most important. I’m off to continue with the celebration 🙂

Status update

I’ve been editing/revising my novel The Darkening for a few months now and I’m one chapter short of reaching the midpoint. So far, I’ve rewritten every single chapter. If I was to copy/paste the sentences that didn’t get altered, I doubt they would fill more than maybe two A4 pages. Maybe. So, technically, I’ve spent the last few months writing. Or rewriting, whichever way you want to see it.

It’s really amazing how much my style has changed in just one year, but I think the current version is better. *Chris leans over and whispers in your ear, “much, much better.”* The sentences are tighter, I’ve tamed my former nemesis of constantly using  “as” and “-ing” (but still not as much as I’d like), and the word count has dropped significantly (in some cases by as much as 1200 words per chapter, though I have to tighten it even further). I have also added more of the main character’s mood and voice through the prose. So far, nothing major story-wise has changed.

If everything goes as planned, I should have it ready for my two betas by the end of summer or early autumn. If they have any ideas about the story and other plot changes I should make, I will do them afterwards, during the second round of edits.

Other than that, I’ve started accumulating a few rejections for some new short stories, so I guess it’s business as usual 😛

Excerpt from The Darkening

The following is a deleted scene from my novel, The Darkening. I figured it would be nice to share something related to the novel in order to let you know of the mood I’m trying to create in the story. This post will be longer than most of my earlier ones.

There are a number of reasons this scene got deleted. First, it didn’t move the story forward, nor did it show anything new about the main character (his name is John Piscus). Second, it turned out gorier than I want the story to be. Though the Darkening is a post-apocalyptic horror story, I didn’t want the horror element to be gore-related. There are bits in the story where some splatter is essential (after all, I am dealing with a world where the shadows each person casts comes to life and kills its owner), BUT it’s minimal, and usually described indirectly (or at least, that’s what I think, lol).

Despite what you may think about dreams in fiction (a lot, if not everyone, claim that dream sequences for backstory are a no-no), the dream the main character sees is only one, broken up in bits and it’s the only memory he (John Piscus) has of his life. Everything else is wiped clean. It’s also the main reason why he blaims himself for what has happened to his family, and probably the reason he considers himself mad. It’s up to the reader to decide if he’s mad. Which brings me to the third reason this scene got the chop, since it wasn’t related to the single dream/memory John Piscus has.

A bit about the story. John is one of the few survivors from The Darkening, an event that brought each person’s shadow into life and eradicated the majority of the human race.  He has lost all memories save his family’s death, for which he considers himself responsible.  In near isolation, in fear of any light source, he hears a pair of voices; one that accuses him for everyone’s death and one that tells him to be the man who used to be. Robert is a neighbour, who lives a couple of hours away from his refuge with his family.

BE WARNED! What follows could be seen by some as graphic and disturbing. I mentioned earlier that it veered away from my intended implied horror element. If you don’t like horror or you can’t stand the post-apocalyptic element or anything related to it, please don’t continue. Some of you will read it, arch your brow at me and this statement, and think I’m exaggerating. I know. Still, I have to respect those who don’t like such things. And lets face it; this is not your usual Sunday morning read. You have been warned. ALSO, please note that it has only undergone through the first editing process, and although adverbs, adjectives, dependent clauses with hidden important action in them, and filter words have been dealt with as much as I could, it hasn’t been read by beta readers. Which means wordiness and other mistakes (partly due to language barrier) are probably still there. Feel free to comment about them. Your comments may prove invaluable to me for the rest of the story.

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The wet kiss on his cheek and the playful shriek next to his ear bid him open his eyes in a blinding haze. His heart came to a stop. Before him, a merry-go-round spun a younger Pauline.
“Look Daddy. I go lound and lound,” the ‘r’ giving trouble to his baby girl.
John gawked at everything around him; this was not a memory but a real dream. When was the last time he saw a real dream?
Something white crept to the edges of his dream and distracted him. It vanished the moment he focused at it. His stomach twisted. I’ve never seen this thing before.
He directed his attention to his daughter, his beautiful girl, who waved a pudgy hand at him and turned her head left and right to keep him in her field of view, while she went round and round.
“Look Daddy,” she said between joyful shrieks. Deep down, John envied her; not out of spite but because he yearned to be as carefree as she was.
“Children are happy all the time, because they are free of sin and malevolence,” Robert once told him. “The torment we experience is what we’ve made for ourselves.”
“And yet they died all the same,” John had snapped at him. There was no hope for the world, for humans. Robert was a fool to think otherwise.
The white entity crept at the edge of his dream again, but when he turned to look at it, it was gone.
The world whispered, “Righteous retribution.” Someone had said the words in the past – not Robert – but John had no recollection who.
A pained shriek startled him and shattered the merriment around him, like a ball through a window. He whipped his head to the merry-go-round. Pauline lay on the ground, her hair a tangled mask on her face from sweat and tears. Not again. Please, not again.
He ran to her, his movements unsynchronised like moving through a viscous fluid. She clutched her right knee, now marred with grit and dirt, where a drop of crimson made its way to the surface.
Ear-splitting cries burrowed in his head, and he had to shield them with his hands. He took his eyes off her to the hazy world beyond, and there he saw them. Two white-clad figures stood rigid in the distance. This is new. What’s happening?
The white duo gradually took human shape, and the figures of a man and a woman formed. Flame-red hair adorned the woman’s head, tied in a ponytail. He couldn’t see any other feature. The man remained obscured, mist-made, like a dream within his dream.
Pauline howled once more. He lowered his eyes to her, but she was no longer there. In his hands he held her shoe, not empty but not attached to her either. The howl continued, distorted and distant, seemingly from the end of a tunnel. “Help me Daddy. Help me.”
His stomach churned and his heart screamed with the pain his baby girl felt. He clutched her shoe and searched left and right for her.
The light changed to purple then blue. The merry-go-round dripped blood and from underneath it, hidden in its shadow, a voice spoke. “Righteous retribution.”
He took a step back. The dreamworld changed, invaded by maroon hues as if two fluids mixed. The red haze spread like a virus, covered everything, distorted life itself. Screams and pleas rose and died, only to have new voices take their place. All save Pauline’s pleas for help. “Save me Daddy, help…” And the white-dressed duo; they still regarded him with eyeless expressions, and waited for his next move. Who are they? What do they want in my dream?
He turned to leave, Pauline’s name on his lips, when he realised he sloshed in a pool of blood coming out of her shoe.
Righteous retribution. The world whispered the words on and on, until the words synchronised with his heart’s rhythm.
The pool of crimson ended in a small trail, leading in the distance. “Daddy, please help me.” John followed the crimson trail, his movement sluggish, slower than his mind wanted it to be. The world whirled. Smells of blood and decaying flesh emanated from the ground around him.
The red mist changed to black, his sight rendered useless the darker it got. Every voice died out except Pauline’s. More than once he lost the trail in the darkness, but her voice led him closer to her, and the closer he got, the steeper the ground turned, until his thighs and sheens burned and the air grew staler.
The two figures dressed in white entered the edges of his view, but he refused to waste time on them. You don’t belong here.
“Please help. It hurts Daddy.”
John clutched her shoe.
“Righteous retribution,” the world whispered.
By the time he climbed what he thought was a mountain, blackness had swallowed him. The smell of rotten flesh permeated the air. How long had he run for? Moments? Minutes? Hours? His heart hammered his chest. He went down to his knees, panting.
“Daddy.” A few more strides and he would reach her, help her.
“I’m here, baby,” he gasped and dragged his body in a coppery-smelling mud, until he touched concrete.
He fumbled in the darkness, and found a door. “Please. Daddy. Don’t leave me.” Pauline’s voice came from behind it, but no more than a whisper now.
He pushed himself up, and when he found the handle, a howl shook the ground he stood on, and Pauline’s voice stopped.
“No,” he cried and clawed at the door. He banged, kicked and slammed it as hard as possible. Will it never end? He battered the door, put all his weight into it, but it didn’t budge. “Let her go, you monsters.”
“Righteous retribution,” resonated, until the howling stopped. Tears welled up and in the blurriness they created, the white shapes appeared again, at the edges of his perception. “Get away from her,” he bellowed and flailed his arms at them, his voice thick with tears and anger.
A hubbub of whispers swept over the darkened dream, louder than anything John had ever heard. The door opened and the whispers ceased. He crawled through it, and his hands plunged into warm liquid. The smell of clotted blood lingered in the air.
“Baby?” he said through sobs and tears. “Daddy’s here, baby. Talk to me.”
Oh God, please. Must I always live this?
No answer.
The white-clad pair stepped on the edges of his vision, each on either side. John’s hands curled into fists. What did they want with Pauline? The pair shrunk to the size of a bead, and slid on the surface of the pool until they came close to each other.
John blinked.
When he opened his eyes, a pair of milky eyes stared back at him.
“Righteous retribution.”
He screamed and jumped back. Behind him, more sets of eyes opened and what he thought was an ordinary mountain turned into a mountain of bodies, all staring at him with white eyes.
Bangs full of anger and impatience came from somewhere far; one, then another. The make-believe world around him collapsed, the ground shook, and something dragged him out of the dream. “No, let me be with her,” he cried. “Leave her and take me.”
Righteous retribution.
The words survived the onslaught, repeated themselves in his head, and rose in strength and volume, until they were louder than the clamour around him.

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There you have it. Obviously nowhere near perfection (if such a thing exists), and with probable flow issues (if you spot them, let me know), but better than the draft.

Staying focused while editing

I suck at multitasking. I mean, REALLY suck at it. Sometimes I envy people who at the same time can be on the phone dealing with an important client, signing and inspecting documents, whilst thinking about a problem at home or about the kids, and at the same time (!!) arranging things for an office happening. I wish I had a fraction of that ability. How do you people do that? Seriously, HOW?

When I have to do something, I have to focus every bit of me to make sure it works the way I want it to work. It’s the same thing with my writing. I find it impossible to write and edit other material I have queued for the same day. I think I’m programmed to finish one thing first, as best as possible (my perfectionist side doesn’t always kick in, thank God), and then move on to the next task. What this means is that, now that I’m editing my book, I find it very hard (if not impossible) to write. It’s not that I don’t have ideas. It’s that I feel that by doing one, I rob the other from the time and effort I should be putting into it. Why edit for 4 hours when I can edit for 6? Why write for 3 hours and edit for 2 more, when I can write for 5? Why is it that although I know how important editing is I feel that I should be writing instead? That I’m falling behind? I think my mind is weird or just messed up 😛

Last week I told you about my editing process. I think we can all agree that such a process is time consuming. I finished the first draft in 5 months (I wrote half of it on my cell phone, which is why it took me that much), but I don’t think I’ll have it edited in a year. Two is probably more like it. And in that time? Will I get no writing done? At all? That’s scary.

What about you? Do you write your WIP, edit another work, then read or do you only focus on one thing, no matter how long it takes you? Are you like me or am I the only one?