Posted on by Chris Sarantopoulos

Update

I got most of the beta’s feedback and I’m currently into heavy editing mode. I mean I was in heavy editing mode ever since I finished drafting it and decided to re-write The Darkening (twice, mind you), but now I’m really into HEAVY editing mode. I feel like this, this new round of edits is the real deal, the “make me or break me,” kind of thing. This is when I will actually WRITE the book. After all, writing is editing. And while I should be more than excited, not only for getting constructive feedback (every one of my betas pointed out things I had missed completely and they all reached to the same conclusions), but for finally being a few steps away from the final stretch (of this round, of course), alas I lack the motivation to do it. It’s as if I flipped a switch at some point in my head and I considered the work done and done, even though I consciously reminded myself time and again that it was only the beginning. The funny thing is that I’m at the point where I have to read the whole book and do only yet very important two things: reduce the excessive explanations (aka overwriting) and tame some of the descriptions. Once I hurdle over these two things, it’s the minor, though even more important, details I have to fine tune. I already managed to condense the first 7 chapters into 4, and I reduced the total word count by 6K+ words (and every writer knows how hard it is to have to murder our darlings). And I did it with no problem or hesitation, only to find myself unmotivated to cut back on the unnecessary fluff. The fluff! Sometimes I really hate the way my mind behaves. I’m telling you, if I hadn’t developed a daily writing/editing routine by now, I would have abandoned and shelved the Darkening (shame on you, Chris, for even thinking about it!).

No, I can’t do that. It’s my baby, my firstborn. I want to see it reach perfection 🙂

Posted on by Chris Sarantopoulos

Hello once again

I’m back. I hope you all had a wonderful summer, and that you recharged your inner batteries. I know I’m late on posting (it’s been two months since my last post) but a lot of things have happened since then and it was hard to keep up with everything.

One of them was my father’s accident. He slipped and broke his leg almost a month and a half ago, so I had to take over most of the things he was dealing with. That meant hardly any time left for me. Luckily, he narrowly escaped surgery to reset the bone, despite the fact that he completely disregarded his doctors’ orders (and still does). Thanks to his surprisingly speedy mending process, and taking into account his age, what appeared to be a long rehabilitation period (doctors initially estimated it would take him around three months before they removed the cast), will most probably barely exceed a two-month period, if his bone continues to mend as fast as it does.

So, the one month I was supposed to use to polish my novel went out the window. BUT!! I did manage to finish editing most of it. In fact, I’m working on a printed version of it, where I’ll do the last edits before I sent it to my beta readers. See the photo? That’s it!

The Darkening

I got to tell you, it felt good holding it in my hands like that. Funny, it’s not even the final version, but it sure is nice to see it and hold it, you know? It makes it more real, more tangible. That’s something the digital medium will never achieve. Not for me, at least. It’s a strange feeling of mixed awe, pride, and fear, probably because I know there’s only one more step before someone else gets to read it, with the explicit instruction to find and point out even the slightest mistake. It’s daunting, but exciting too, because after their input, I will have a better manuscript in my hands. Thanks to my beta readers, I will have the chance to improve my craft. I know for a fact there’s a lot of space for improvement.

Funny fact: I’ve been editing, revising, and rewriting it for the past nine months (I actually rewrote the book twice; once for a better Point of View, the other to improve the story). 2/3 down the road of editing it with my trusty red pen, and I realise there’s more red ink on the pages than black. Makes me wonder, what on earth have I been editing all this time?!

Posted on by Chris Sarantopoulos · 4 Comments

On vacation

I’ve decided to take some time off from blogging, at least until the end of August. The Darkening is progressing fine, but I need to spend more time with it and polish it more. I corrected the plot holes I found, rewrote more than three quarters of it because of those holes, adjusted the main character’s voice throughout the novel (or at least I think I did, which by itself forced me to rewrite the entire novel once more – so basically I rewrote the Darkening almost twice), and now I need to look over the small details, mostly continuity issues. Then it’s a matter of beautifying it (or rather be a bit more descriptive here and there). By my estimate, I should have it ready for the betas on schedule, with a bit of luck perhaps a little earlier. However, given that I’ve already shifted my own deadline once (which is something I hate doing), and I still have to work on my cellphone instead of my pc, I think it’s best for me to focus on the novel for the next couple of weeks.

Summer is still with us, so have fun, enjoy yourselves, and I’ll see you all again in September (hopefully with an update on the novel, perhaps an excerpt).

Posted on by Chris Sarantopoulos

Status update

Very little is going on at the moment. Heat is picking up and without A/C, I will soon be forced to edit my manuscript on my phone.
I’m a stressful person, and I can’t help but feel that even the smallest delay from my part will be a near-apocalyptic event in the long run. I’ve already been working on The Darkening for a little over a year (gosh, has it been that long? Time does fly, huh?) and I want to hold an edited version in my hands as soon as possible before someone outside myself sees it. Of course that doesn’t mean said edited version will be the final product. Far from it. But I also have two wonderful people waiting to beta for me (once again, thank you both!) and I really really REALLY want to hear their comments, particularly the negative ones, which are vital for my improvement. It will be a milestone of sorts, an indication I’ve actually produced something tangible, and the entire endeavour has moved forward. It will boost my morale. Working at the same novel for so long has made me feel like I’m in a stalemate. Thank God I don’t work on one solid 300 page long MS, but on separate scenes/chapters, each in their own individual folder. That way I get to see every week how much I have progressed. If not for that, I would have been overwhelmed.

OK, enough ranting and raving. Time for me to get back to work.

Posted on by Chris Sarantopoulos · 7 Comments

Dilemmas

I have a question for you, dear followers. How do you deal with a scene you think will most probably be annoying, if not outright offensive, to your readers?

Here’s my conundrum: The first draft of the chapter I’m editing at the moment, has a scene which I think is too much. By too much I mean too shocking. The scene showed (shows?) a mother with an infant child die to their shadows. In case anyone has forgotten, in the world of The Darkening, the shadows humans make come to life and kill their owners, in a rather gruesome way.

Originally (around last September I think), I had written the scene in a very descriptive way through the eyes of my main character. For both the mother and the infant. Mind you, by ‘descriptive’ I don’t mean graphic. ‘Detailed’ is probably a better word. By the end of it, I realised it bothered me. Because of the baby. Because of what a mother represents. Because of how shocked, whoever the reader, would be. So, I broke my rule about not editing until after the draft was ready, and rewrote part of it. In that new version, I kept the description of the mother’s death, but I intentionally brushed over that of the infant’s. I was still torn between what my main character would actually see (the full detailed version), and what, in a loose way, was politically correct (meaning the censored version).

Several months later, it was time to edit the same chapter this past week, and while rewriting the scene (I’ve rewritten everything, hence the delay in finishing), I decided that even the censored version was too much. Again because of what a mother represents in our culture, in our societies. So I brushed over the deaths completely, and forced my main character, who originally watched the events, to only hear them die instead of seeing them. Now I’m really not satisfied. Usually, the answer to such a dilemma, for me at least, is rewrite everything, choose a different path. BUT! That scene was there to make a point to the reader about the intentions of another character (their deaths are not accidental, someone did it on purpose, you see). I have no doubt the effect will be identical whichever way I write it; the reader will want to actually hurt the bad guys. It’s just that I’m not satisfied. And I know I have to write the story from the point of view not only of the main character’s, but through the lense of a dead world, where no moral values exist. It’s a post apocalypse story after all. I also have to take into account what drives the bad guy to do what he does. The bad guy has reasons for doing what he does, even though it involves something so brutal. But is that a sufficient enough excuse to be descriptive about something that can be shown in a different, less blunt way?

In the beginning of this post, I wrote “how do you deal with a scene you think will most probably be annoying.” This dilemma may very well be in my mind, and not an real problem at all. I’d like to know, however, if you ever had to make such a decision with a scene in your stories. What was your choice based on, and how did you cope with the (probable) outrage of your readers, be it betas, agents, or anyone else?