The art of writing, is editing

For the past few weeks I’ve been editing my novel and three short stories. Though in the past I’ve always edited my short stories, only now that the stakes are high enough do I see how important, I mean REALLY important, editing is. In my mind there’s no doubt about it: writing is all about editing.

My editing process is somewhat… strange. Perhaps it’s because English isn’t my native language. Perhaps it’s just because my first drafts are in worst shape than the ones the well-known writers produce (yeah, I know I shouldn’t compare myself with them, but I can’t help it. I want to be traditionally published and to make it happen, I feel I have to be better than them. This is what I meant earlier when I said “the stakes are high”).

The first thing I do, is to restructure each sentence and each paragraph. I’m never satisfied with the way I write my sentences, even after several edits (language barrier and related linguistic insecurities apply here).

Once that’s done, I activate my macros. Yes, I use macros for specific mistakes I know I make, and yes, they’re more than one. I have one for filter words (which somehow still seem to make their way to my drafts) and another one for useless words (like “very”, “that”, “just”, “even”, “There was”, “there was”, “there were”, “There were”, “actually”, “practically”, “literally”, “suddenly”, “really”, “again”, “Again”).

The third step deals with how I use the word “as” in a sentence. That’s a tricky one to deal with. I often use it in a sentence when I shouldn’t. The following example is from http://blog.janicehardy.com/2010/04/re-write-wednesday-dont-tell-me-why.html (Bob ran for the cabin as the zombie swung at his head.) In this example the AS implies that both actions happen at the same time. The problem is that’s not the case. The second part of the sentence is the reason why the first part happens. The zombie attacks Bob and because of that, Bob runs away. Using AS here is wrong (though “wrong” sounds so strange when it comes to a creative art like writing, no?). Still, I not only overuse that word, I flood my MS with it. Hence, the need for yet another macro to evaluate each occurrence of that word.

The last editing step (for the first round of edits, mind you) is the worst of all; my incomplete macro for adverbs. I consider it an incomplete macro for two reasons: 1. some adverbs don’t have the -ly ending (https://www.englishclub.com/vocabulary/adverbs-manner.htm), 2. That last step should include adjectives as well, but given the nature of the words (they don’t have a special ending), I can’t include them in a macro. Which means I have to go over the entire passage and highlight every single word that’s an adjective. Why is that bad? I’m a perfectionist when it comes to doing something that I love. What’s wrong with that, you ask? Humans make mistakes! I often miss them because I either fail to identify them (oh, language barrier, if only you had a face I could punch…) or because my brain has turned into mush and I fail to notice them.

Once these steps are done, and I’m ok-ish with the results (I tried using the word “satisfied” instead of “ok-ish”, but alas I couldn’t! Not even for this post!), then I turn to beta readers and critiquers (if such a word as critiquers exists). And then a new round of editing starts, which includes the above but also their suggestions. Grand total of edits? As I mentioned in a previous post, between 9-12 up to this point.

What happens after that to my MS? Well, then and only then can I say it’s no longer in its first draft status.
Is it ready, you ask? A few weeks ago I would have said yes. But these past few weeks I’ve been reading Self-Editing For Fiction Writers by Renni Browne and Dave King (http://www.bookdepository.com/Self-Editing-for-Fiction-Writers-Second-Edition-Renni-Browne/9780060545697  or if you prefer Amazon,  http://www.amazon.com/Self-Editing-Fiction-Writers-Second-Yourself/dp/0060545690/ref=sr_1_1?ie=UTF8&qid=1421593167&sr=8-1&keywords=Self-Editing+For+Fiction+Writers

Now I cry every time I finish the steps I mentioned earlier, because I realise there’s SOOOO much more that I have missed.

I was about to send my cyberpunk short story out to a well-respected, VERY well-paying, professional magazine. Who was it that said that manuscripts are never perfect but simply abandoned, meaning the writer refuses to work on it any more and considers it ready for publication? Yeah, I’m not ready for that yet.

Back for another round of editing. Yay!

P.S. See how I knew I’d fail point #1 from this post? Will there ever be a time I won’t have to compare myself to those better than me?!

Inspirational prompt

I hope you liked last week’s inspirational post. As I was looking for another one to post today, I came across this one

When I saw it, something clicked in my head. After working a bit with the 7 point story system I ended up with two stories, one of which draws many elements from my country’s mythology. Turns out that system helps me a lot to get my head around the main points of a plot. I only took notes for that one but I completed the first draft of the second story and although at first I thought there was something missing, the more I tweaked, edited and revised the more I came to like it.  So, in a month’s time since I finished the first draft of The Darkening, I have managed to finish 3 (!) short stories.  Now I need to have it critiqued somewhere. If only I could find a critique partner…

I hope the image proves as much help for you as it did for me. Let me know if it sparkled something interesting.

How to blow some steam off

Ever since I said to myself “you’re about to finish the draft, Chris” the process has slowed to a near stop. Well, not really to a stop but words come to me a lot harder and I fail to meet my daily writing quota. Which, for a near-perfectionist on selective issues (yes, I know it sounds weird but I’m not a perfectionist in everything in my life) like me, it’s annoying. Mind you, I’m not as much a perfectionist as Patrick Rothfuss is, so no, I don’t go as far as making 80 drafts for one story (11 is the highest I’ve ever done for a short story and my average seems to be around 8-9). It reaches the point where I feel guilty for not meeting my daily word limit, which in turn makes things worse ’cause I push myself harder and that only leads to even fewer words. So, I thought, it must be the fact that too much pressure has accumulated inside. Which isn’t productive.

So, I decided to try (and I stress the word try because it won’t be easy and chances are I’ll fail at it miserably) to do as many of the following things as possible.

1. I will try to stop being so caught up into how much better other people’s work is than mine.

Ever since I started I always, ALWAYS compared my work to professional writers’ work. Yes, it’s good to have their skill and their work as a guide but perhaps a perfectionist in writing (like me) goes beyond that, thus making writing a living hell for him/her.

2. I will try to share my work with more people in my old critique group over at Scribophile or get me a beta reader (people willing to help, please comment bellow, thank you 🙂 )

I haven’t uploaded anything or written anything new since June, which is when I wrote the first line of draft for the novel I’m working on. I’ve put on hold all other short stories I had in my mind and dedicated myself to finishing the novel. It paid off, since I’m about to finish BUT at the expense of getting a pat on the back by getting a positive critique or comment about my work every now and then. All I had to go with was my inner critic and, being a perfectionist when it comes to writing, that critic may be a little bit too harsh. Probably. Not sure yet.

3. I must try to get in touch with “free writing” by using creativity prompts, usually visual stimuli like fantasy/scifi/horror images (in my case that’s what I like the most).

This used to be an exercise for me, before I started working on The Darkening. To help me write on a daily basis, I usually scoured tumblr and deviantart hoping to find an image that would stir something in me (btw, I love the word “stir”. I should make a mental note to pay attention on the number of times I have used it in my novel). Then I would sit down and write a small story, usually no bigger than 1000 words. I used to love doing that but it’s been ages since the last time I did it.

4. I must try not to worry about me having gone way over my original word limit for my novel.

There’s very little I can do about this but I have to somehow convince myself that when I start revising The Darkening, I will be able to cut the story down between 100k – 105k words. Right now I’ve reached 130k and I’m still not done. 5 more scenes… God help me, if I make it and an agent asks me to trim it by 10%-20%. I’ll probably cry if I see such a request or just throw my pc out of the window.

5. I must try not to think of the pressure the unavoidable rejections will put on me, when I’ll be querying agents.

I don’t think I have much to say about this. It’s just something I have to learn to live with. All the rejections in the world when it comes to submitting short stories are probably not enough to toughen me up when agent hunting comes. *Chris gulped nervously and made a horrified face.*

Have you got any other ideas about the issue? Some miracle technique that allows you to blow some steam off when you need it? If, so please let the rest of us know and comment below.

Status update: the closer I get to finishing, the further away I am from it.

It seems the closer I get to finishing the first draft, the longer I am from actually doing it. 7 more scenes/chapters remain before the last full stop, the so painfully sought-after “The End” and yet never in these past 4 months have I felt more tired and the end further away from me than now. I don’t know what’s wrong. Perhaps I’m fed up with it, perhaps something inside me tells me that the story sucks, that there are too many plot holes or the plot points are too far-fetched (it’s a post-apocalyptic story, which means people assign it the “sci-fi” tag, thus some parts of it, should be far-fetched to a certain extent, right?). Perhaps I feel that I have often led the (potential) reader by the hand too much, instead of letting him/her think about some things, perhaps it’s because a lot of my character development is done by showing his inner thoughts (going over the top with italics, perhaps?). The point is, where at one point a month ago I could sit down and write 1700 to 2000 words in a couple of hours (usually between 10 in the morning and be done by 1 in the afternoon with a 30-45 minute total break), now I can barely write 1000-1200 words up to 2 or 3 in the afternoon. The fact that I have exceeded my originally planned word limit for the draft doesn’t help either. The uncertainty I see before me, doesn’t help either.

125,147 words. Two scenes away from reaching the climax of the story and closing the main character’s arc. Seven scenes before the draft is over.

Any of you, dear readers/fellow writers, know if having only 5 chapters left for what follows the climax all the way to the end of the story is enough? I keep having the feeling that all the key points are in the wrong place, either too soon in the story or too late. Every time I read a technical book related to structure, I see things in my book that are wrong, when the previous structure-related book said it’s ok. It’s so frustrating! If I ever get to finish this thing, I’m so going out and celebrating it with the few friends who know I’m writing.

Of course, try as I might, I can’t see myself feeling relaxed after it, ’cause I will have to find beta readers or editors who know the craft of writing better than me. Wouldn’t things be sooooooo much easier if every one of us aspiring writers had two mentors by our side? One also aspiring writer or newly published who could help with the big, eye-hurting mistakes and then another one who would be a well known writer who’s been at it for years? How helpful would that be? Both could benefit noobs like me so much.

Too much whining. If you have an answer to my previous question, please let me know. Need to prepare the synopsis for the next scene/chapter for tomorrow. Until next time, I bid you all adieu.