Traditional Publishing, Self Publishing, or Hybrid? A Poll

A couple of weeks ago, I reblogged Lara Willard’s post about the different choices a writer has to get published. Even though I decided that traditional publishing was what I wanted, I’d still like to know what the other side has to offer, because deep down I haven’t rejected the idea of self publishing something. However, since I’m not yet published (either self pubished or trad published) I’d like to know the pros and cons of each.

So I turn to you. What is your take on this? Why did you choose the publishing path you chose? I’d really appreciate it if you took the time to answer. Please feel free to reblog this (in fact, I’d be very happy if you did), or talk about it to as many of your writer-friends as you can. The more people answer, the clearer the picture for me and others will be. So far, the options I know about are the following:
A) Self-publish
B) Traditional Publish (either through an agency or through a small press. I think we can all agree that vanity presses should be excluded)
C) Hybrid

If I’ve missed any other option, please comment. You can select more than one option.


I chose

 

 

C) to be a Hybrid writer because:

Please specify in the comments.

As I said, I don’t really know the benefits of either option, which made it very hard for me to come up with questions that will cover as many probable answers as possible, other the almost cliché “I wanted the best of both options.” So, for you, the hybrid writers, I would appreciate it if you could take the time and answered in the comments section.

After a few weeks I intend to return to this post and discuss the results.
Thank you all for participating. Please feel free to reblog this.

What’s your favourite rhetorical device?

Last week I talked about Rhetorical Devices and gave you a list of 60 of them. If you read Robert A. Harris’s post and went through all of them (of course you did, why wouldn’t you, when they are there to help you elevate your craft?) you probably noticed those you involuntarily use (as in my case) or do so purposefully. Chances are you use more than one or two, and it’s possible you have a few that are your favourites, either because they remind you a novel you read that stayed with you over the years, or because they added a little something to one of your works.

So, here are some of the ones I use frequently. See if we have any in common. To my knowledge, none of the examples I used here are used anywhere else. I just made them up as I wrote this post. If you know that one of them belongs to someone else, please let me know and I will take it down.

Rhetorical Devices

Amplification

According to Robert A. Harris, amplification is the repetition of either a word or an expression by making it more detailed to draw attention to it. In my mind, amplification adds something poetic to my writing.
Example: And, oh, the sea, the vast, inviting sea. How much he longed for it.

Anadiplosis

This can sometimes be confused with Amplification. The difference (as I understand it) is the level of detail you, as the writer, add to that special word.
Example: And the sea, the sea that claimed her brother, would now claim her.

Anaphora

It is the repetition of a word or an expression, but unlike the previous ones, it usually happens at the beginning of successive sentences or clauses.
Example: If only he remembered, if only his memories hadn’t fled like frightened children.
Example: She approached the bubbling cauldron very timidly, very sheepishly, very carefully not to wake the fearsome guardian (for the sake of the example, let’s ignore the eye-popping use of the word “very” and the number of adverbs, shall we?)

Antanagoge

It is the placing of a positive or beneficial attribute next to a negative or a problem to minimise the significance of the negative.
Example: He did crash into her, and her damage was greater than his, but he was willing to cover all costs and offered to take her to the hospital, if she were injured.

Antiphrasis

It can either be a word or a clause used to express irony or drive a point subtly.
Example: He’d enforce peace even if he had to kill them with it.

Antithesis

It’s the use of a clear comparable contrast of two ideas close to one another.
Example: The insect may look tiny and cute as a ladybug, but it kills faster than a nuke.

Aposiopesis

The abrupt end of a statement before it’s finished. The meaning of the statement is implied.
Example: If I don’t get the money to pay them –.

Appositive

Usually a noun (or a phrase serving as a noun) placed next to another to give a description of the first noun.
Example: It happened at night, a dreary and bleak time, though George had no knowledge of it (here, the phrase “a dreary and bleak time” describes the night).

Asyndeton

The intentional omission of conjunction between words or clauses.
Example: She was coming home with the unattainable. She was a champion, an Olympic medalist, a goddess destined for Olympus.

Example: She couldn’t get enough dancing, walking, running, living.

Hypophora

It happens when you (or your character) raises a question and then he/she answers said question.
Example: What would those at the settlement offer him, if he went there? A cut from ear to ear, that’s what (taken from my novel, The Darkening).

Rhetorical question
The difference between a rhetorical question and hypophora is that in this case the question remains unanswered usually because the answer is too obvious or to emphasise a point.
Example: So she would marry and bring that good-for-nothing in the house. Well, two’s company, three’s a crowd. So who was the extra one now?

Metanoia

Used by recalling a previous statement, only this time in a stronger or milder way.
Example: Gasps of awe and wonder erupted around the light, and one by one they moved closer to it. No, not any kind of light, a living light, a girl with a halo (taken from my novel, The Darkening).

Metaphor/Simile

Used to describe two very different things by implying that one thing IS another thing. Different from simile, that one thing is LIKE something else.
Example (metaphor): He had survived through another day, but had little hope of survival through the night, for hope was water held in an open palm (taken from my novel, The Darkening).
Example (simile): A face as white as days-old snow stared back at him, the flesh transparent, like tracing paper (taken from my short story Wisps of Memory, Published by 9 Tales Told in the Dark).

Onomatopoeia

It’s the use of words whose pronunciation imitates the sound the word describes (Robert A. Harris).
Example: The room buzzed and hummed, first from his left, then his right, as though a thousand wasps that lay in hiding were now ready to sting them (taken from my novel, The Darkening).

Parenthesis

A word, a phrase, or even a sentence inserted in the middle of another sentence, which is usually the main or important one. Those of you who frequent my blog must have noticed how often I use it. If you’re looking for an example, scroll up at the first paragraph of this post. Note that Parenthesis doesn’t force you to use brackets. You can also use dashes with the same effect. It all comes down to style and how strong you want the extra phrase to be in the eyes of the reader. Personally, I don’t like using brackets or see them in books, since they tend to drag me out of the story. Obviously, I have no problem using it on my blog 🙂

Personification

The representation of an object or an abstraction as having life-like attributes or human attributes.
Example: The derelict house groaned and creaked, as it settled its beams and walls in a more comfortable position against the wind (taken from my novel, The Darkening).
Example: Liberty called for them to fight to the bitter end.

Polysyndeton

It’s the opposite of Asyndeton (see above). Here, words are joined together by the use of conjunctions.
Example: The kids ran, and played hide-and-seek, and laughed, and tormented the poor old nanny.

These are the ones I tend to use in almost all my works. You can say I’m partial to them for some reason. Turns out I use quite a few of them. How many from the list of 60 do you use more often than others?

The Darkening: getting to know the characters – John Piscus

Will anyone read this? Is anyone still alive out there?

My name is John Piscus, and I’m a survivor. The Darkening… I wish I knew more about it, but I don’t. No memory, you see. What I do know is the Darkening claimed the lives of almost every human on the planet by the worst way possible. Stop talking to me! No, no, not you, reader. The two voices in my head. You see, the thing is, I’m crazy. Deranged, mentally unstable, loony, oh yes. Yes, I am, yes, yes, yes. I have two voices lodged in my head. Uh-huh, uh-huh. Two different people talking to me, yapping every single minute of my waking life. One wants me to kill myself, the other to stop at nothing, until as it says, I reach my potential. You think you’re the sole owner of your thoughts? You take it for granted, don’t you? Guess again. You want to make it, to survive? You better make sure you take nothing for granted. Come closer, I want to tell you a secret. Come, come, I don’t bite. Not yet at least. Haven’t turned into cannibalism yet, I’m not like those survivors stuck in what’s left of the cities. Can’t blame them, no food in the cities. But that’s not me. Anyway, here’s the secret; I don’t think the voices are real. No, no, not real. I think one of them is my conscience, the other my survival instinct. Shhh, keep your voice down! They might hear us and start talking to me again. No, don’t ask me about why my conscience has woken. I can’t tell you, I won’t tell you, you can’t make me! Go away! Both of you. Not you, reader. You stay.

What? You don’t know what the Darkening is? Of course, no one left to tell you. The Darkening turned our own shadows against us. No, not shadows, not anymore. What comes out can no longer be called “shadow.” It’s… it’s different. It has substance. It’s alive, malicious, bent on one thing alone; to kill the person it made it. You want to know a fact? It will find you. There’s no escape, there’s no hope. You can’t escape your own shadow. No, you can’t. It’s there, always there. Enough light to cast a shadow, and poof! Your shadow comes to life and you’re dead. Dead, do you hear? DEAD! There’s no escape, there is no hope. Hope is for the weak. Out there, only two things exist; death and fear. You don’t know what fear is, until you realise you carry your own death every step of the way.

The Darkening turned the remaining of us into rats and worms, hiding underground, watching over our backs, constantly looking to the east. If it glows, it kills. No, I will not! My thoughts are my own. Go away! Not you, reader. Anything dark is a good shelter, remember that. If you want to survive, you must have a shelter. Get used to leaving in the dark, for it’s all you’ll ever see. You think it’s easy? Have you ever opened your eyes, and couldn’t tell if anything existed beyond you? Any time where darkness was so pressing, you couldn’t tell if you were awake or asleep? If you had eyes or not? Did you ever stretch you hand in the dark, darkness so thick you thought it had physical substance? That it touched your body, wrapped itself around you, suffocated you? No, reader, you don’t know what fear is until you experience it. You think I’m out of my mind, yes? I am, I told you so. But, you… you don’t know what madness is, until you pry your right to live every single day, not only from the world around you, but from your self. I’m exhausted. So tired. So very very tired.

Shhh! Keep quiet. Did you hear that? I think Raiders are nearby. No, I did not imagine it. It’s Raiders. Can’t you hear them? Raiders! It’s night outside, and they are coming in. Run! They’re inside!

2014 – A recounting of events

First of all I hope you all had wonderful Christmas and a nice New Year. Christmas was brilliant for me and I got to spend it with the people who have stood by me the most, my family. Christmas is also my nameday (in Greece we celebrate namedays as well as birthdays, though I only follow namedays), so a lot of friends called to give me their wishes. It all added to a very nice day with a lot of great memories. I’m not a big fan of New Year as a holiday nor do I participate in any kind of celebration, as I don’t see the reason for it, but I understand others see it differently than me, so to all of you out there who do, I wish you a HAPPY NEW YEAR!!!

2014 was for me a very successful and productive year and I hope 2015 will be, if not more productive then at least, as productive as 2014.

For starters I got to finish the outline of my pet project. I posted a small excerpt earlier this year from my fantasy serialised novel and wrote almost half of the first draft. Currently, it’s sitting and waiting for me to get back to it, but that won’t happen for a long while, not until I evolve as storyteller and improve my writing skills.

Following that I outlined and finished the first draft of the Darkening, my post-apocalyptic horror novel. That’s right; I finished a novel, my first ever, in 2014. It took me 5 months to write it, 3 months of which were spent writing on my 5-inch cellphone, since the heat in my study with my computer on was hellish. It was supposed to take me 3 months and be around 120k words but ended up being 149k words and 2 months overdue. Who cares? Bottom line is I finished my first novel! Yes, I’m still jubilant about this. I’m entitled to it, no? I’ll have plenty of time to feel miserable and doubt my worth once the first couple of tens of agent rejections arrive.

2014 also offered me my first publication EVER. I was honoured to have a short story published in Beyond Imagination, Issue 4, titled You Die When I Die. I still remember how high I jumped when I read their acceptance email. I also remember how many times I had to read the message over and over again, to make sure I read it right and that I was indeed going to get published (six times, if you’re wondering how many times I read it).

2 more magazines honoured me in 2014 by publishing my stories. Eternal Haunted Summer published When Hades Felt and Voluted Tales published the short story The Darkening (my novel The Darkening is based on that short story).

In 2014 I participated in my first writing competition ever for 2014 South African HorrorFest Bloody Parchment short story competition and on 31st December, a couple of hours before the New Year knocked on Greece’s door, I got an email from them saying that my story had been selected for their longlist that would go through for judging early 2015. This is also a first for me and even though I’ve no idea if being longlisted is even worth mentioning in public (if anyone has previous experience with writing competitions, please let me know), I see it as an accomplishment, since, as I said, this is a first for me. I dreaded participating in any kind of competition, thinking my writing was sub par to the standards they’d have. The email they sent me though, lifted my spirits and boosted my self confidence. I don’t have high hopes in getting published there, since there are soooooo many far better writers out there than me, with English being their native language (I hereby declare my hatred towards language barrier and all the problems it causes me), but one can hope, right?

Between the middle of November and the middle of December I manage to write 3 more short stories, a feat I had never tackled before but that month proved the most productive ever.

Finally, 2014 was the year I started this blog. Since April 2014 when I published my first post here, more than 120 of you have honoured me by following me and my rumblings, allowed me to write my thoughts and fears in my flawed English. Together we embarked on a trip – my trip – with many highs and even more lows. You were with me when I decided to write my novel, you were there when I finished it, when I published my short stories. You were there when I felt I was drowning while struggling with The Darkening and you supported me.

To everyone who followed or visited this blog, all 127 followers and 550 visitors, I have one thing to say:

THANK YOU!

What is YOUR dream?

Today I’d like to get as many of you involved into a little exercise. Well, not really an exercise but it may help you get in touch with the feeling that sustained the need you have to write (or had, if you feel you are stuck).

I would like you to write in the comments below what was or is that one dream you have (or had) that you wanted to experience through your writing that would make you feel complete, both as a person and as a writer. I’ll start with mine.

I’d like, in years from now, to sit on a bus or train or a restaurant or any other place, one that I’ve never been before – preferably in another country than my own – and accidentally overhear some people sitting next to me – complete strangers to me, mind you – having the following conversation:

“Have you read [title of book] from Sarantopoulos?”

“Yeah, it was OK.”

Just that. Nothing more. Just two people I have never seen before, who don’t know what I look like but who have read my stories and have deemed them OK for their tastes and their wallets. Not “great” or “amazing” or anything else pompous; just OK. No contracts with absurdly lots of 0’s, no TV contracts or excessive fame, no nothing. Just… OK. What I want, is my stories read by as many people as possible. I don’t care how they get their hands on them, as long as they do.

Now, if I ever get to experience that, then I will know for a fact, beyond any doubt, that I have done well in choosing to write and that I have succeeded in doing so. I’m certain I’ll be sitting next to them giggling, while reading a book or munching down something from the local cuisine, feeling like I’m at the top of the world. Chances are I won’t even introduce myself and let them build their own imaginary picture of me.

I often wonder how achievable this is for someone like me?

Please comment below what you want to get out of your writing. Don’t be shy to whatever it may be. I’m a dreamer so I get to dream stuff like that. You may be a more down-to-earth kind of person so you may have a dream to achieve fame or lucrative contracts that will allow you to carry on writing. Just share your dreams with the rest of us here.