Posted on by Chris Sarantopoulos

From getting an agent to getting published

I don’t know about you, but I have (or had, until recently) little knowledge of what happens AFTER an agent says yes to a manuscript, and before said manuscript gets published. I’ve never been published before, none of my friends has been traditionally published (except short stories and electronic magazines), so that area was rather vague and hidden behind a misty veil. Have you ever wondered what happens once an agent agrees to work with a writer? A few days ago, I stumbled upon the following article and I thought it’d be nice to share, even if you prefer to self-publish.  If nothing else, it will give you an insight as to what follows the oh-so-desperately-sought-after agent deal.

The article was found at http://writershelpingwriters.net/2015/01/10-editorial-steps-agent-call-published-book/ and it was written by Martina Boon. If you’re aiming for traditional publishing like myself, have a look at it. There’s a lot more happening after the agent says yes than you may have thought. Can you guess what it is?

If your answer was “more editing, Chris?” then the answer is a resounding YES! Because there’s never enough editing for a manuscript. Never! Seriously, folks, read the article.

Posted on by Chris Sarantopoulos · 1 Comment

7 point story system

Today’s post deals with another way to structure a story and it’s called 7 Point Story System. According to writer Dan Wells, who made a presentation of it a while back, this particular structure system can be applied to almost any story. He doesn’t take credit for it (nor do I), instead he said he found this structure from the Star Trek RPG (trekkie fans, rejoice!). Without any further ado, here it is:

Hook
Plot Turn 1
Pinch 1
Midpoint
Pinch 2
Plot Turn 2
Resolution

The interesting thing about the above structure is that it works backwards (you’ll see that when you watch the video). For this structure to work, it is essential to know how your story or character arc ends, in other words you need to have a Resolution first. I should stress here that the Resolution isn’t the end of your book but rather the tidying up of your arcs (character and story) and in the case of a novel it may well span more than one chapters.

Once you have that, you then move to the Hook of the story. Mr Wells says that what the Hook and the Resolution show in terms of the story or the character are usually directly opposite to one another. For this example he uses the first Harry Potter book and compares Harry’s initial state (Hook) with what Harry has become (Resolution).

Once these two points are established, the writer then identifies the Midpoint. In my mind, the Midpoint acts as a transition between the character of a story being reactive (from Hook up to Midpoint), then changing to active (from Midpoint to Resolution). When I first saw that, I thought the Midpoint and the inciting moment are related but once I started working with this system a bit, I realised I was wrong. The Midpoint doesn’t also need to be in the middle of the story. The Midpoint is that one thing that connects to your Resolution and gives meaning to the story. It is the one thing your protagonist finds out about something and propels him/her into doing something about it, using everything he/she has picked up along the way (from Hook to Midpoint).

Once that’s done, Plot Turn 1 needs to be addressed. This is a another transition, one that exists between the beginning to Midpoint. This is the part where you have to introduce the conflict. It’s also the part where something happens that changes things around your main character. In the two short stories I’m writing at the moment, this is where my protagonist realises how important a waitress is for him (for the first story) and for second one it’s where the main character gets debriefed by his superiors and thus telling us what has happened.

Following that, Plot Turn 2 needs your attention. This is the point where everything leads to the Resolution. If your story is about your character having to do something, then this is the point where he/she will decide to do it. It’s what launches things towards the Resolution. In Poe’s short story Tell-Tale Heart I recently read, this is the point where the main character still hears his victim’s heart beating. That will propel him to the Resolution. If your Resolution is tragic and negative for the protagonist (as is the case with one of my short stories), this is the point that enables that tragic ending.

You then have to deal with the two Pinches. Pinch 1 is something that forces the character or the situation into action. It’s what leads to the Midpoint. Sometimes a villain is introduced or a problem inflicts the character that will push him/her forward. In the first Harry Potter book, that something is the appearance of the troll and that there’s no one around to deal with it, so the kids have to gain enough confidence in their abilities to deal with it.

Pinch 2 is all about applying even more pressure to the character. Either the problem will look impossible to solve or a supporting character will die or the character will realise he/she is left completely alone. Whatever you make it to be, it has to up the stakes significantly in order for your Resolution to have the maximum impact on the reader. It doesn’t matter if your story is going to be a sad one or a happy one (I prefer the first), as long as the stakes have gone so high that the Resolution is satisfying.

Naturally, there’s a lot more to a story than just this outline, things like well-developed characters, good environment set up, using all the senses for the reader to be fully immersed in your story and of course subplots (if you apply the system to longer works).

I have only used it twice so far, both times for short stories, one of which I’m in the process of writing and appears very difficult even with this system. But I’ll make it work one way or another. For my longer works I prefer to work with the snowflake method BUT the 7 point system can help tremendously in identifying the key elements of a story and space them properly before using a more detailed structure system. I find it very handy and very helpful in arranging my thoughts in the right order and I like having a guideline when I write.

Next week I’ll either start giving writing prompts or, if I’m still stuck with my second short story, beg for your help. I’m really stuck 🙁

Posted on by Chris Sarantopoulos · 2 Comments

Dialogue

Dialogue has been one of the hardest things I have to tackle when I write. When I first started writing, I read somewhere that dialogue is the key to push a story forward. The article said (and that’s what has stayed with me since) that if the writer finds himself in a pickle as to how to proceed in a story, then have two characters talk about it and that should give a way out. Alas, having only days of writing experience back then, I failed to understand the deeper meaning of that. I followed it to the letter and earlier versions of my now-on-hold fantasy novel were plagued with dialogues that served nothing and were woody and lame.

Have I improved as a writer since? In many aspects, the answer is yes. Have I solved the problem with dialogue, improving the way I use it? I say this with the utmost sincerity; NO! It still gives me a very hard time BUT it’s not as bad as it was. Still, it’s my main problem when I write, so much so that sometimes I dread it.

The novel I’m about finish (2 1/2 scenes to go, yay!) takes place in a post-apocalyptic world. There are very few people left and those who have survived, are in hiding in as much dark places as possible (hence the title, The Darkening). Isolation (and its associated mental issues) are a key in the story. As a result, there’s very little dialogue involved, although there are times where that can’t be avoided, especially when the character is talking to the voices in his head. Later in the story, things change and when other characters appear, dialogue is unavoidable, along with my problems to write them convincingly.

So what does dialogue entail?

Virtually every book that is related to teaching us how to write fiction has at least one chapter devoted to dialogue and dialogue tags or non-dialogue tags (for the latter, I’m sure there’s a name but I’m afraid I don’t know it.) Dialogue tags are the little bits that follow (or sometimes precede) whatever a character says in the form of “he/she said.”
“Get off my property,” the old farmer said/ he said.
“Thanks,” she said.
Non-dialogue tags are somewhat longer sentences that are related to what a character says and they usually show to the reader something the character is doing while speaking or emphasize a character’s trait.
She put both hands on her hips and glared at him. “Well? What’s your excuse now?”
“Are you sure it’s safe?” He looked over her shoulder, biting his nail.
One of the main differences in these examples is that they tend to use different punctuation. Dialogue tags use a comma before the “he/she said” tag and “said” acts as a way of linking the two bits, whereas non-dialogue tags often use a full stop. Another difference is that in the case of non-dialogue tags, the sentence that follows or precedes whatever is in the quotation marks is a sentence of its own and is fully capable of standing on its own.

Both kinds are essential because they tell the reader who tells what and in what way.

My earlier writings were terrible because I thought that said was such a boring word, showing so little of each character’s emotional state, so I thought “let’s spice it up a bit, shall we?” So I used words like “replied,” “grated,” “reciprocated,” etc. The problem was (and still is) that English is not my native language. As a result language barrier would soon kick in, leaving me repeating the same words. So I’d run to my bookcase, get my dictionaries, go online to as many online thesauri as possible and find new words. But they were words I had never seen or used before. Which after a while made me think “If I don’t know that word, then there’s bound to be someone else out there who also hasn’t seen or heard this word as well.”

I think most of us have gone through a similar stage, when we started writing. It happens naturally, in our attempt to be original and to show that we have some potential with this whole thing. Instead of that, we end up making things worse for us. At least I did.

I don’t think dialogue needs anything more than “he/she said” at most cases. I hardly ever use anything other than that nowadays. I had read once an article that said there was no need to write “Fired? What do yo mean?” he/she grated. Instead of the word “grated” it was better to have the same character sitting at the edge of their chair, perhaps holding something on their lap or having them tapping their foot lightly, then having them stand up with such intensity, their chair would fall back, later banging the office door as they left the room. The dialogue mentioned above can be broken down to increase intensity and show the reader all the feelings and emotions within the word “grated.” Here’s an example:
Alan sat on the edge of his seat, his foot tapping slightly with a mind of its own. He had his eyes fixed on Mr. Boss, studying every move he made, while the man read through his file.
“Alan, I’m afraid we’re going to have to lay you off,” Mr Boss said and closed the file slowly. “You see, the company -”
“Fired?” Alan stood up so fast that he sent the chair flying back. “What do you mean? After all these years?”

It’s not the best description of a scene but you get the meaning, right? The first example tells us about the character’s emotions and reactions (grated is a rather descriptive word), whereas the second one (though a miserable attempt at it, I admit) SHOWS us all these things. And you can see both dialogue tags and non-dialogue tags in action.

I hope this helps a bit 🙂

Posted on by Chris Sarantopoulos · 3 Comments

How to blow some steam off

Ever since I said to myself “you’re about to finish the draft, Chris” the process has slowed to a near stop. Well, not really to a stop but words come to me a lot harder and I fail to meet my daily writing quota. Which, for a near-perfectionist on selective issues (yes, I know it sounds weird but I’m not a perfectionist in everything in my life) like me, it’s annoying. Mind you, I’m not as much a perfectionist as Patrick Rothfuss is, so no, I don’t go as far as making 80 drafts for one story (11 is the highest I’ve ever done for a short story and my average seems to be around 8-9). It reaches the point where I feel guilty for not meeting my daily word limit, which in turn makes things worse ’cause I push myself harder and that only leads to even fewer words. So, I thought, it must be the fact that too much pressure has accumulated inside. Which isn’t productive.

So, I decided to try (and I stress the word try because it won’t be easy and chances are I’ll fail at it miserably) to do as many of the following things as possible.

1. I will try to stop being so caught up into how much better other people’s work is than mine.

Ever since I started I always, ALWAYS compared my work to professional writers’ work. Yes, it’s good to have their skill and their work as a guide but perhaps a perfectionist in writing (like me) goes beyond that, thus making writing a living hell for him/her.

2. I will try to share my work with more people in my old critique group over at Scribophile or get me a beta reader (people willing to help, please comment bellow, thank you 🙂 )

I haven’t uploaded anything or written anything new since June, which is when I wrote the first line of draft for the novel I’m working on. I’ve put on hold all other short stories I had in my mind and dedicated myself to finishing the novel. It paid off, since I’m about to finish BUT at the expense of getting a pat on the back by getting a positive critique or comment about my work every now and then. All I had to go with was my inner critic and, being a perfectionist when it comes to writing, that critic may be a little bit too harsh. Probably. Not sure yet.

3. I must try to get in touch with “free writing” by using creativity prompts, usually visual stimuli like fantasy/scifi/horror images (in my case that’s what I like the most).

This used to be an exercise for me, before I started working on The Darkening. To help me write on a daily basis, I usually scoured tumblr and deviantart hoping to find an image that would stir something in me (btw, I love the word “stir”. I should make a mental note to pay attention on the number of times I have used it in my novel). Then I would sit down and write a small story, usually no bigger than 1000 words. I used to love doing that but it’s been ages since the last time I did it.

4. I must try not to worry about me having gone way over my original word limit for my novel.

There’s very little I can do about this but I have to somehow convince myself that when I start revising The Darkening, I will be able to cut the story down between 100k – 105k words. Right now I’ve reached 130k and I’m still not done. 5 more scenes… God help me, if I make it and an agent asks me to trim it by 10%-20%. I’ll probably cry if I see such a request or just throw my pc out of the window.

5. I must try not to think of the pressure the unavoidable rejections will put on me, when I’ll be querying agents.

I don’t think I have much to say about this. It’s just something I have to learn to live with. All the rejections in the world when it comes to submitting short stories are probably not enough to toughen me up when agent hunting comes. *Chris gulped nervously and made a horrified face.*

Have you got any other ideas about the issue? Some miracle technique that allows you to blow some steam off when you need it? If, so please let the rest of us know and comment below.

Posted on by Chris Sarantopoulos

Staying focused

For the past two weeks, my mind has been all over the place and I have found it very difficult to focus and reach my daily word limit or use the time I have allocated to myself for writing. In my case that was because of weariness (it’s this time of the writing process where I need to take a couple of days off from writing, though saying it is one thing; doing it is a struggle against my guilt for it, haha) and because of a minor health issue. It made me think about it, however, so today I thought I should write a few things on the topic of staying focused.

Mind you, this is my take on the subject based on personal observations. It doesn’t mean the following will work for you too. It may be worth giving it a shot though, if you find it hard to stay focused.

1. WRITE!

Early on, when I had just started writing, I kept finding articles about the need to have a routine because it would help an aspiring writer. At the time I thought of that as too much, arguing that inspiration is not something that you can just summon out of thin air and expect it to work. I thought to myself that it would be better to just feel the need to write rather than force it. It wasn’t until almost a year later that I tried it. Since then I have seen remarkable change in the quality of the work I produce and, most of the time, it’s almost as if my mind switches on for writing when the time comes. True, not every day’s work is something I’d keep during revisions BUT the point is this daily ritual keeps me focused and eager to write. You may say “but you have a novel to write and to plan the next one, therefore you can stay focused.” True, but when I didn’t have a novel in mind or didn’t feel like doing it, I went on to my tumblr account, found a photo I liked and a wrote a short story of no more than 1000 words, just to keep me in shape. Did it help? Looking back to it, I think it added its own little corner stone. Had I written whenever I felt like it, chances are I would have never written anything or it would have been impossible to tame my mind now that I have work to do.

2. Time allocation

Yeah, that one’s a bitch. Our daily lives are packed full with things to do that somehow appear (and, to some extent, are) more important that just sitting down and scribble make-believe stories. However, you won’t get any writing done unless you allow yourselves to have even a 30 minute time frame to sit down and write. It sounds ridiculous, right? 30 minutes, you say? That’s all? Well, if that’s all you can spare in a 24-hour long day, then that’s all you can spare! Would you rather not spare it at all and keep your stories in your mind or in the form of notes? As long as you can find the right time for this 30-minute window, then you will be able to use it to your advantage, provided you have first followed suggestion number 1 above. I think the two work well together. You won’t produce 2000 or 3000 words per day but you will produce 500 words and that’s 500 more words than doing nothing.

3. Setting goals you can meet at the end of the day

I guess ultimately this suggestion could be part of both previous suggestions but I think it should be on its own. Writing something big, like a novel, with so many distractions around you (*cough cough* internet distracts people?! Life does that too?!) it’s nice to have set manageable goals for each day and see them come to fruition. My goals, as far as writing is concerned, are to end the day having written AND read for a few hours. See? Nothing grand or intimidating; just stay focused on my writing and reading routine basically.

4.Use some sort of an outline

Let me be crystal clear about this: not everyone can work with an outline. I’m not suggesting that everyone should use an outline. What I am saying is give it a shot, see if it works for you. Just do it right before you decide it’s not for you. It doesn’t necessarily have to be an outline in the most detailed form (like the snowflake method myself and others use, which could be a book of its own if you think about the amount of words written there). You could just have a notebook by your side when you first get an idea, write your thoughts down as they come and then rearrange them accordingly to have an easy flowing plot and story. That way you can save a lot of time during editing and revising. I tried writing “on the fly” when I first started and it felt nice. It felt very creative. But I had ideas popping up every page for things that had happened many chapters before because the story shaped itself as I wrote it. That meant I had to go back and change things in previous chapters or inserting a comment on the page to correct it later. Eventually, my mind got bogged down. I had material to write, ideas to use but it was a mess in my head and I felt overwhelmed. The result was to almost give up, thinking I just wasn’t good enough for it. The feeling sucked! Why? I wasn’t focused!

5. Try not to edit before you finish the entire work

Following the previous suggestion, it may be a good idea to avoid editing last day’s work on the following day. I know a lot of professional writers do it (if I’m not mistaken, G.R.R. Martin does it?) but they are who they are and have years of experience. For me, an aspiring writer, I feel that if I were to follow that I would most probably end up editing the edited edits (!!) more than actually producing new material. Which in turn would mean that staying focused on whatever new I had to write, would be a struggle. I don’t know, it’s possible I’m weak-minded and lack discipline. Think about this, however: this may work for you if you have very little time to spend on writing. If that’s the case, the last thing you want is to spend these precious 30 minute window you have into editing instead of finishing your story up and then edit.

6. READ!

I keep an excel file where I copy (yes, copy) entire sentences and phrases from books that I read. These sentences usually refer to things that an author used in their story and had troubled me in the past or perhaps ways the writer used to draw my attention to something. I then go over them, study them and see how he/she handled that similar situation. I try to see the technique used, how each sentence is structured and then try to see how would I write it instead. The result I produce is usually sub-par BUT during this process not only I get to learn how others (better writers than me) worked their way around my problem but at the same time I put my mind into the whole writing process again. Which as I pointed our earlier, keeps me focused 🙂 Also, while reading a book you may get that light bulb over your head glowing with an idea. Which gets the productivity juices flowing etc etc.

7. Avoid wasting time on the internet

Since most of us have things happening in the house that distract us all the time, try not to add another distraction. If you can, refrain from checking your Facebook feed or tumblr or whatever else you use. I have finally managed to free myself completely from Facebook (even though I have my personal FB page and my author page) and I hardly ever check them. In fact, at the end of the day, I may check momentarily my author page, just in case a new follower appeared or someone sent a message (which hardly ever happens, by the way). But now that I’ve freed myself from Facebook’s clutches, I’m more focused and I feel happier when I see it’s one o’clock in the afternoon and I have written almost 2000 words.